The Other Woman
World Literature Today|Winter 2020
A stalled train and shifting visage make for an eerie commute.
Bibiana Camacho
The Other Woman

I could’ve stayed in bed a little longer, but what for? Surely that would only make things worse. Lately I’d been swamped with work, I’d slept very little, and I’d had anxiety-ridden dreams that, upon waking, I almost never remembered. I dragged my feet to the bathroom, turned on the light, and twisted the shower knob. It wasn’t until I was under the falling water that I opened my eyes fully. Then I dried myself off and got dressed, in the clothes I’d left on top of the toilet seat the night before. I brushed my hair in front of the mirror, paying little attention to my weary eyes and irritated expression. Then, all at once, I focused on my reflection: there’s no doubt that one changes with the years, with the passage of time, adversities, the care one does or doesn’t offer to one’s face, stress, worries. I’d already noticed the appearance of a modest second chin and the bags that grew beneath my eyes. But what I saw in the mirror was none of that. It simply wasn’t my face. It didn’t seem younger or older—it just wasn’t mine. She looked a bit like me, the same bags under the eyes, the same shape of the brows, the same thin and tense lips; but the nose was longer and more narrow, the eyes farther apart, the chin rounder and too small for my face. I continued brushing, concentrating on my hair to not pay so much attention to that face. I thought that I must be very tired and that my mind was playing a bad trick on me. I pulled my hair into a ponytail and put a bit of mascara on the eyelashes. I brushed my teeth, grabbed my bag and keys, and made my way to the office.

This story is from the Winter 2020 edition of World Literature Today.

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This story is from the Winter 2020 edition of World Literature Today.

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