Short-scale guitars are having a moment right now. Whether it’s because of the influx of new guitarists during the pandemic, or the raft of musicians playing guitar alongside other instruments, more accessibly proportioned models seem to be hitting the market now than ever before. But while the format lends itself to quirky-by-nature offset bodies, none are quite so bizarre as the late-’90s Squier Super-Sonic, which received a reissue this year as part of the Paranormal Series.
Before you ask; no, we haven’t accidentally flipped the image. The legend goes that former Squier marketing manager Joe Carducci was so inspired by an image of Jimi Hendrix playing a Jazzmaster upside-down, he took it upon himself to recreate this aesthetic for right-handed players. The result is certainly a curious creature, with a back-to-front body and colossal reverse CBS-era headstock. But the differences between the Super-Sonic and the rest of the Fender stable run deep.
For starters, the two own-brand Atomic humbuckers – one of which is offset – are controlled by a pair of volume controls, without a tone knob insight. As guitarists increasingly turn to pedals rather than tone controls to change their sound, that’s no great loss – and it even means you can switch one pickup off to get your Morellian toggle-switching on. The bridge volume is located nearest to the player, a quirk which could be a pro or a con depending on which pickup you use most frequently. There’s also a Strat-style vibrato, as opposed to the typical Jaguar/ Jazzmaster floater you might expect, an ‘S’-stamped neck plate with integrated strap pin screw, and a heel that’s so highly contoured it rivals even Fender’s big-ticket American Ultra series.
This story is from the November 2020 edition of Total Guitar.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the November 2020 edition of Total Guitar.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
Ihsahn – "Extreme music lends itself well to experimental arrangements"
In an extraordinary double album, former Emperor guitarist Ihsahn delivers new material in two contrasting versions: metal and orchestral. "It was a perfect match," he says, “because my guitar had the same tuning as the cellos!"
Rosie Frater Taylor – "I Love Guitarists That Started in Jazz but Moved Into Pop"
It's a bold claim, but one that we're prepared to make: there is no other guitarist in the UK right now who sounds quite like Rosie Frater-Taylor.
DIRTY SOUND MAGNET
Swiss psychedelic trio Dirty Sound Magnet have created a unique racket that's both thrillingly expansive and potently evocative.
ELECTRO-HARMONIX PICO POG
You should be familiar with the Electro-Harmonix POG- it's the Polyphonic Octave Generator that set the standard for multistring, multi-octave layering and has graced the pedalboards of legends ranging from Jack White to Joe Satriani.
BOSS KATANA AIR EX
More Air, vicar? Boss pump up their popular wireless desktop amp
FGN BOUNDARY ILIAD BIL2MHS
With Japanese quality and top tones, could this be your next T-style?
THE 2024 GUITAR WORKOUT
Smash your new year guitar goals with our 30-day technical workout
"TAPPING IS THE MOST-USED WEAPON IN MY ARSENAL!"
Jon Gomm's tips for getting more out of your acoustic guitar
"THE BEST GUITAR SOLO IS A SONG WITHIN A SONG"
Ace Frehley: the guitar hero of KISS, and an influence for Tom Morello, Dimebag and many more
"THE SIMPLE PARTS ARE THE HARDEST TO GET RIGHT”
Lzzy Hale's recipe for meaty arena rock and killer tone