“Lemmy never gave me any limitations as such, but in Motörhead there was only so far you could stray,” shrugs Campbell, admitting his old band knew exactly how to play to their strengths. “It was all about that one sound. So a lot of the cleaner melodies and piano-led parts had been bouncing around my head for quite a few years. I was determined to get them out. That diversity also makes for an interesting album, you know?”
What are the main guitars we’re hearing on Old Lions Still Roar?
“A lot of it was actually my 80s sunburst Tokai Les Paul, I decided to get that out of retirement! There was also a silverburst I used a lot too, as well as a Framus Panthera and an odd-shaped guitar made by a Swiss company called Relish. They’re supposed to be easy for changing strings, but my tech tells me they’re not actually that easy… but they still sound good, like. I didn’t use anything too vintagey, there were only about six guitars in the rack in the control room. But I own a fair amount of stuff, I have a black 1956 Custom and a ’57 black with the Bigsby, ‘The Fretless Wonder’. I also have a ’64 Firebird that belonged to Val McCallum who was Jackson Browne’s player, so I do have a fair amount of vintage stuff lying around.”
This story is from the January 2020 edition of Total Guitar.
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This story is from the January 2020 edition of Total Guitar.
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