LOST AND FOUND
Total Film|March 2020
THE NEW MUTANTS I The X-Men are going to some seriously dark places. TF was on set for the film that seemed to be going a bit too well…
LOST AND FOUND

Like the working title?” laughs director Josh Boone, pointing to a sign that reads, ‘Growing Pains’. “Actually, everything’s been amazingly unpainful so far!” Almost three years later, it looks like he might have spoken a bit too soon.

In the time since Total Film visited the set, The New Mutants has lingered on to the extent that it isn’t exactly that new anymore – dragged through a post-development hell that made most worry if it was ever going to come out at all. Now given a release date, the growing pains are over at last – and the real horror can finally begin.

Back in July 2017, TF was somewhere in a dark corner of Medfield State Hospital – a sprawling Victorian lunatic asylum outside of Boston, Massachusetts. Deserted in a hurry, the building (used a few years earlier by Scorsese for Shutter Island) is a cold mass of crumbling corridors, hidden tunnels and weird noises. It is, even in the middle of summer, utterly terrifying – and it’s also the perfect place to reboot the X-Men franchise into a misfit teen horror.

“We wanted to make a movie for outsiders. For kids who’ve had problems,” says Boone. “I had all these movies when I was a kid, like Monster Squad and Lost Boys, where all the characters were the same age as me. Most kids today are going to see comic-book movies about a bunch of 40-year-olds.”

Adapting a short run of comics (mostly Bill Sienkiewicz’s ‘Demon Bear’ series from the 1980s), New Mutants picks up the origin stories of five messed-up mutants who land themselves in a secret medical facility. There are no planets to save, no MacGuffins to find and nothing to fight besides whatever monsters they find in their heads.

This story is from the March 2020 edition of Total Film.

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This story is from the March 2020 edition of Total Film.

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