Jane Austen films have long seemed like a required rite of passage for rising actors (Paltrow, Winslet, Knightley). Even if it lacks the innovative vim needed to answer if we need another Emma, pop-promo director/fashion snapper Autumn de Wilde’s take on 1815’s comedy of manners revisits that tradition respectably: it’s no Clueless, but it’s not clueless.
After time on indie cinema’s murkier fringes, The Witch’s Anya Taylor-Joy has a Regency-era ball as Austen’s titular romantic trouble causer. With her suitably “penetrating eyes”, she brings a sense of relentless determination to Miss Woodhouse, the “handsome, clever and rich” young woman who can’t resist meddling in her singleton friends’ romances.
This story is from the February 2020 edition of Total Film.
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This story is from the February 2020 edition of Total Film.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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