Gulshan Devaiah believes in frank talk.
The actor, who has been a part of films like Shaitan, Hunterr and Mard Ko Nahin Dard Hota, had learnt a lot in his nine-year career, perhaps a result of deep thinking and analysis of the movie business.
“I can have endless conversations with people about life, career, art, and be comfortable with myself. I am more sure about myself and a lot happier about who I am,”
Your next film Footfairy is a crime thriller. Do you like watching films from this genre?
Yes. Recently, I watched the film Raat Akeli Hai and I quite enjoyed it.
Tell us more about Footfairy.
I found the script very interesting. It was well written and relatable.
Kanishq (Varma, director) and I had already bonded on David Fincher and our admiration for him.
For a first-time film-maker, I thought his script was very interesting and well thought of.
We didn’t start shooting right away, we had two months of pre-production for the principal cast.
We would read the scenes, have a lot of discussions and that really helped us on set.
I knew my lines backwards, and even the lines of my co-actors!
Even they knew my lines.
We knew what the scene was, who was doing what in the scene, the subtext, the intent, everything.
So we saved a lot of time on set.
The films in your filmography are mostly festival films, with great reviews and smaller releases. Is that the kind of films you gravitate towards or simply what’s offered to you?
This story is from the November 2020 edition of GLOBAL MOVIE MAGAZINE.
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This story is from the November 2020 edition of GLOBAL MOVIE MAGAZINE.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
'Women don't have to only sing and dance'
'When you are new, you don't know how the industry works.' 'But when you know where you are headed, the possibilities of being conned or facing unpleasant instances is reduced.
I haven't done homework for my films'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'I learned about Bollywood by being a part of it'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'MY FACE IS MY GREATEST USP'
'My tool is the way I look. This is the only thing that distinguishes me.' 'Most of us dress similarly. What sets you apart is your face. If you change that also, you're like anybody else.
'My Life Was In Danger'
\"I received many threatening calls and letters.' 'A fatwa was issued against me.'
'I AM BRAHMA, VISHNU, MAHESH!'
Tanishaa Mukerji started her acting career with a bang when she got to play a YRF heroine in her second film Neal 'n' Nikki (2005).
Everybody would say I should act like My Sister
‘Padmini and are very different people.’ Our acting styles are very different. She's from a different era.’
'Girls Are Becoming Suicide Bombers'
'When I am doing a film, that film is not propaganda for me. That's a true thing.
'Four women in their 60s followed me...'
'Don't object to change; understand why people like it.' 'Don't object to change; understand why people like it.'
'EVERYBODY REJECTED ME'
It is only fair that being around the industry has to rub off on its children.