THE PROFESSIONALS Luis Guerra
Computer Music|November 2020
Welcome to another in our series of features focussing on composers making money with their computer music making, and not always in ways you might imagine. This time around we feature Luis Guerra who writes music for an incredibly diverse range of media…
THE PROFESSIONALS Luis Guerra

Luis Guerra is living proof that you don’t have to stay in any one area of music production work to be successful. His compositions have been in everything from podcasts to major movies, on radio shows to audio books. As he demonstrates, there are countless new streams for making money from your music, and while it might help being located in LA, in these lockdown times we are all connected in many ways, so you can create an audience for your music in areas you might not have considered. Over the following pages he details the gear, the music and the career journey you might just be able to embark on….

Computer Music: Nice to meet you Luis. So how did you get into music production?

Luis Guerra: “I have been a career musician most of my life. I learned about recording from working in studios in Austin, Nashville and LA and decided to focus more on composition and arranging and less on performing and touring. I began assembling a studio and had the opportunity to compose the music for Circus Luminous. After that, I was approached by the TV and film composer Gerald Fried who asked why I wasn’t living and working in LA. I reached out to an old band mate from my school/college band (Los Hurtin’s Dogs). He had become a successful record producer and also had a studio and rented rooms to other producers. He offered me a small studio to rent, and I packed up my studio in New Mexico and rolled my family out to LA where we’ve been ever since.”

cm: You write music for a number of different types of media, but is there one philosophy you bring to all of your projects?

This story is from the November 2020 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the November 2020 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM COMPUTER MUSICView All
BLEASS Arpeggiator
Computer Music

BLEASS Arpeggiator

Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?

time-read
3 mins  |
May 2024
Synthogy Ivory 3 German D
Computer Music

Synthogy Ivory 3 German D

One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?

time-read
3 mins  |
May 2024
MODALICS BITFUZZER
Computer Music

MODALICS BITFUZZER

Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both

time-read
1 min  |
May 2024
RADICAL RHYTHMS
Computer Music

RADICAL RHYTHMS

From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide

time-read
5 mins  |
May 2024
SEDIBUS
Computer Music

SEDIBUS

Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...

time-read
10 mins  |
May 2024
Sidechain compression
Computer Music

Sidechain compression

Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process

time-read
4 mins  |
May 2024
How to make a rave-style techno track
Computer Music

How to make a rave-style techno track

Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno

time-read
4 mins  |
May 2024
Make a filter kick bass with BazilleCM
Computer Music

Make a filter kick bass with BazilleCM

Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound

time-read
5 mins  |
May 2024
MARIA W HORN
Computer Music

MARIA W HORN

An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon

time-read
9 mins  |
May 2024
THE ULTIMATE GUIDE TO CREATIVE REVERB
Computer Music

THE ULTIMATE GUIDE TO CREATIVE REVERB

Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient

time-read
5 mins  |
May 2024