212 TECHNIQUES - Make music from start to finish
Computer Music|July 2020
The shortcuts and techniques you need to create, record, mix and master music, get the gear and even a career!
212 TECHNIQUES - Make music from start to finish

With the world still being pretty chaotic out there (at least at the time of writing) we’re hoping that a) you’re safe and b) you might just have a bit more time on your hands to make some music. We know that that’s where our focus is anyway, so we’ve decided to do what we do best and create a (massive!) feature to help you get some music made in these quite extraordinary times, and in whatever circumstances you find yourself in.

So we’ve pulled the stops out in this issue of Computer Music to bring you some of the best techniques we’ve ever assembled, all under one roof, to help you create a piece of music from start to finish. We also provide some advice on how to help you to get it out there once it’s complete, not to mention some top tips on looking after the gear you use to create it.

We’ve gone from the start of the music making process, right through to the end, beginning with some classic techniques to use with your softsynths and beats – some of which were first unleashed back in issue 200, but which are as impressive and relevant as ever.

Then there’s an all-new section on recording instruments into your DAW, where we’ve distilled advice from many expert writers into some 40-odd tips on recording vocals, guitars, instruments and more. The art of recording ‘real’ sounds like these can be a dark one, but you can actually master the most essential aspects of it with this practical, hands-on advice.

This story is from the July 2020 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the July 2020 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM COMPUTER MUSICView All
BLEASS Arpeggiator
Computer Music

BLEASS Arpeggiator

Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?

time-read
3 mins  |
May 2024
Synthogy Ivory 3 German D
Computer Music

Synthogy Ivory 3 German D

One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?

time-read
3 mins  |
May 2024
MODALICS BITFUZZER
Computer Music

MODALICS BITFUZZER

Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both

time-read
1 min  |
May 2024
RADICAL RHYTHMS
Computer Music

RADICAL RHYTHMS

From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide

time-read
5 mins  |
May 2024
SEDIBUS
Computer Music

SEDIBUS

Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...

time-read
10 mins  |
May 2024
Sidechain compression
Computer Music

Sidechain compression

Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process

time-read
4 mins  |
May 2024
How to make a rave-style techno track
Computer Music

How to make a rave-style techno track

Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno

time-read
4 mins  |
May 2024
Make a filter kick bass with BazilleCM
Computer Music

Make a filter kick bass with BazilleCM

Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound

time-read
5 mins  |
May 2024
MARIA W HORN
Computer Music

MARIA W HORN

An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon

time-read
9 mins  |
May 2024
THE ULTIMATE GUIDE TO CREATIVE REVERB
Computer Music

THE ULTIMATE GUIDE TO CREATIVE REVERB

Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient

time-read
5 mins  |
May 2024