A behind-the-scenes look at the revival of Marvel’s first black superhero series, from its fantastical and historical inspirations to early sketches - plus an exclusive preview of the first issue.
Last year I was offered the opportunity to script an 11-issue series of Black Panther, for Marvel. The Black Panther who, when he debuted in an issue of Fantastic Four, in 1966, was the first black superhero in mainstream American comics is the alter ego of T’Challa, the king of Wakanda, a mythical and technologically advanced African country. By day, T’Challa mediates conflicts within his nation. By night, he battles Dr. Doom. The attempt to make these two identities—monarch and superhero—cohere has proved a rich vein for storytelling by such creators as Jack Kirby, Christopher Priest, and Reginald Hudlin. But when I got the call to write Black Panther, I was less concerned with character conflict than with the realization of my dreams as a 9-year-old.
Some of the best days of my life were spent poring over the back issues of The Uncanny X-Men and The Amazing SpiderMan. As a child of the crack-riddled West Baltimore of the 1980s, I found the tales of comic books to be an escape, another reality where, very often, the weak and mocked could transform their fallibility into fantastic power. That is the premise behind the wimpy Steve Rogers mutating into Captain America, behind the nerdy Bruce Banner needing only to grow angry to make his enemies take flight, behind the bespectacled Peter Parker being transfigured by a banal spider bite into something more.
This story is from the April 2016 edition of The Atlantic.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 2016 edition of The Atlantic.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
After the Miracle
Cystic fibrosis once guaranteed an early deathbut a medical breakthrough has given many patients a chance to live decades longer than expected. What do they do now?
WILLIAM WHITWORTH 1937-2024
WILLIAM WHITWORTH, the editor of The Atlantic from 1980 to 1999, had a soft voice and an Arkansas accent that decades of living in New York and New England never much eroded.
Christine Blasey Ford Testifies Again
Her new memoir doubles as a modern-day horror story.
Is Theo Von the Next Joe Rogan?
Or is he something else entirely?
Orwell's Escape
Why the author repaired to the remote Isle of Jura to write his masterpiece, 1984
What's So Bad About Asking Where Humans Came From?
Human origin stories have often been used for nefarious purposes. That doesn't mean they are worthless.
Miranda's Last Gift
When our daughter died suddenly, she left us with grief, memories and Ringo.
BEFORE FACEBOOK, THERE WAS Black Planet
An alternative history of the social web
CLASH OF THE PATRIARCHS
A hard-line Russian bishop backed by the political might of the Kremlin could split the Orthodox Church in two.
THE MAN WHO DIED FOR THE LIBERAL ARTS
Chugging through Pacific waters in February 1942, the USS Crescent City was ferrying construction equipment and Navy personnel to Pearl Harbor, dispatched there to assist in repairing the severely damaged naval base after the Japanese attack.