Prelude, oil, 12 x 24½ (30 x 62 cm)
I’ve always loved paintings that depict painting, artwork, and the artistic process. As I developed the concept for Prelude, I sought to emphasize the dramatic arc of a fully-loaded palette, ready to take on a day in the studio. That sweeping crescent creates such a dynamic flow in this horizontal composition and is further emphasized by the progression of light and color of the paints
My painting style has always been very direct. I approach every aspect of a painting with the intention of producing the result in each brushstroke. The challenge of capturing a subject with spirited yet accurate brushstrokes can bring freshness to a painting, which is difficult to find in works produced using other techniques. This style has appealed to me since my first days in art school. The painting process becomes a rhythm of careful observation, on-the-spot paint mixing, and confident execution. The flow of this process, if utilized correctly, lends an extremely efficient approach to even the toughest compositions and subjects.
I find myself continually intrigued by eye-level compositions. The graphic, though somewhat limited, nature of this perspective really lends itself to the bold style I prefer. Because of this, my work tends to rely heavily on triangular motifs within compositions, the innate strength of which can open the door to some striking designs if employed properly.
This story is from the August - September 2020 edition of International Artist.
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This story is from the August - September 2020 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
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