Harley Brown's fascinating things no one else will tell you.
Is there a real downside to art? Not that I can think of. In my art life, I’ve learned through difficult moments; they’re part of the creative world. My obsessions got more intense with each year. I didn’t mind that the days and weeks seemed to get shorter when I got wildly into my pastels and pencils. And now, well, the past two decades have flown by like Captain Marvel on steroids.
Believe me, when you find your way, it will be like no one else’s. You’re making your personal path through the tangled forest of existence. Bravo!
By good fortune, I never tried to be “better” than other artists. I’ve simply wanted to be better than I was last year. Rating myself with myself.
I’ve never tried for perfection in art; that’s not in my thoughts. In art, I don’t understand “perfect.” Who does?
You bring in the observers’ eyes with your artwork’s design. That’s when they come closer for your personal strokes and colour. In the same way, a simple, intriguing plot leads to something quite compelling. Going against the grain for its own sake is surface sanding. Don’t let even a fragment of jealously creep into your thoughts. It can dullen your hard-earned strengths.
Unless you’re a camera, it’s quite impossible to actually duplicate. That’s one of the joys of being human. Remember that. If my art makes others happy, that’s well and good. I do my art to give myself joy and it surely does. When I’m painting, I have a bond between me and my subject that can be found nowhere else. “Trying” to be creative can steal its purpose. Your creativity will grab and then help lead you. You may even begin to appreciate its arrogant nature.
This story is from the October/November 2018 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the October/November 2018 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
Intrigue in the ordinary
I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting
Paper Textures
John Lovett guides us through the varying properties of different watercolor surfaces
Creating Ambiance
Mona Parker Weidner selects colors palettes and light sources that emphasize the mood of her interior scenes
Visual Depth
Blending and smoothing with solvents, Holly Siniscal creates painterly portraits in colored pencil
Sharp Precision
Working with craft blades and tattoo needles, Conor Smith etches realistic renderings of wildlife
The architecture of water
When Then I moved from Toronto to a tiny community in Nova Scotia, I became fascinated by the ocean, its reflections and endlessly shifting patterns of color and light
Saturated World
Emphasizing the beauty of nature, Joe A. Oakes paints landscapes with warm colors and imaginative compositions
Pure Bliss
Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork
Sculpting the Paint
Using a palette knife allows oil painter Maria Iva to create clean colors and rich textures
Forwad MOMENTUM
Artist Lisa Gleim shares the evolution of her career and how she grew into her preferred medium of pastels