“His work was a mix of calligraphy, kid’s art and a little Cy Twombly,” Foreman recalls thinking. “Ten years later I was at a silent auction in Miami and there was a Purvis Young. I thought, ‘I’ve gotta get this.’ Purvis was brought up in Miami and never educated beyond the sixth grade. He went through the school of hard knocks and spent time in jail, but he turned his life around and dedicated it to painting. He has been labeled an ‘outsider’ artist but I think he reaches a much broader audience. His work is so layered and so complex. He painted with passion. The work may be a little primitive for some people but he makes up for it in the strength of his brushwork, which shows the influence of Chinese calligraphy, Jackson Pollock and others. We became friends over the years and last year I curated an exhibition of his work at the European Cultural Center in Palazzo Mora for the Venice Biennale.”
This story is from the March 2020 edition of American Art Collector.
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This story is from the March 2020 edition of American Art Collector.
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