For the past 34 years Pixar has been at the forefront of the computer-animated film, pushing the boundaries of technology and storytelling alike. Now, on their 22nd outing, the pioneering studio is finding new ways to hone their craft and enchant audiences around the world. Onward introduces two teenage elf brothers, Ian and Barley Lightfoot, and their quest to spend one more day with their dear departed father, using what little magic is left in the world.
The film is a deeply personal one for its director, Dan Scanlon. “The story is inspired by my own relationship with my brother and our connection with our dad who passed away when I was about a year old,” he explains. “He’s always been a mystery to us. A family member sent us a tape recording of him saying just two words: ‘hello’ and ‘goodbye.’ Two words. But to my brother and me it was magic.”
“That was the jumping-off point,” continues Scanlon. “We’ve all lost someone, and if we could spend one more day with them – what an exciting opportunity that would be. We knew that if we wanted to tell that story that we’d have to set the movie in a world where you could have that incredible opportunity.”
THE STORY BEGINS
This story is from the August 2020 edition of 3D World UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2020 edition of 3D World UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
PRESENT NARRATIVE IN STILL-LIFE IMAGES
Mohammad Hossein Mohammad Salehi walks us through his process for creating a dramatic shot
EASILY ADD DECALS AND GRAFFITI TO OBJECTS
Bring extra life to your scenes as Editor Rob Redman shows you how to create realistic visuals for objects in Cinema 4D
BUILD AN EPIC CHARACTER WITH STYLISED TEXTURING
Two artists team up to explore a hand-painted texturing workflow for their formidable Viking
THE ART OF Andrej Troha
FROM CHEMICAL ENGINEERING TO SOAP AND SAILBOATS...| ...CESCI ANGELL LEARNS ABOUT THE ARTIST'S CAPTIVATING CREATIVE JOURNEY
SUBTLE IMPACT
Trevor Hogg scopes out the visual effects work in David Fincher's The Killer
SOUTH WALES DREAMERS
3D World catches up with Emlyn Davies and Mark Procter of Wales-based animation studio Bomper on its 10th anniversary
MODEL THE PERFECT CHARACTER FOR A DELICATE SCENE
Discover how Prashan Subasinghe builds up the narrative in his shot with a gentle lioness
Wacom One 13 Touch
With accessibility and sustainability in mind, Wacom has been busy devising a new range of pen displays that are offering some great features for less. The Wacom One 13 Touch pen display has a lot to offer, especially for aspiring artists, with the high quality display that you would expect from Wacom, a smooth and intuitive drawing experience, and the addition of multi-touch capabilities.
Callipeg
Animation tools have come a long way over the last few decades, and even further in the past couple of years. Long gone is the need to sit at a desk with backlighting enabling you to see previous frames. Now you can animate at home, on a train or anywhere else you might find yourself using the same techniques on an iPad. Callipeg, while cutting edge, harks back to these classic animation methods.
PistonBuds PRO Q30
Gigantic over-ear headphones are no longer the necessity they once were to achieve a satisfactory level of noise cancellation, as increasingly more in-ear alternatives are now becoming available. The PistonBuds PRO Q30s are a fabulous example of this, as they offer users exceptional noise-cancelling capabilities while managing to deliver high-quality sound.
