The temple would serve the large community of employees and villagers, and, because of towering industrial structures surrounding the site, the client requested that the temple be given a design that was contemporary, yet still complementary of the humble rural landscape.
Three years later, the Temple in Stone and Light was realised.
Dedicated to Lord Shiva, the Hindu god of paradoxes, the building combines the heavy materiality of stone with the lightness of form.
The solid-looking exterior seems to dissolve after dusk, and, with the help of discreetly placed LED lighting that comes on at night, transforms into a glittering lantern in the dunes.
THE SIGNIFICANCE OF STONE
Traditionally, Indian temples are associated with stone – a testament to the material’s beauty, strength and timelessness.
But that is not the only reason why lead architect Amritha Ballal chose it for this project.
“Rajasthan is also famous for its quality stone and stone craftsmanship. We selected locally-available, yellow Jaisalmer sandstone as the primary building material because we wanted the effect of the temple rising out from the sand dunes,” she explains.
But building with the material is a dying skill, since contemporary architecture incorporates stone mainly as a finishing material.
To get around this, Ballal and her team decided to exploit the structural and masonry properties of stone.
This story is from the Issue 114 edition of d+a.
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This story is from the Issue 114 edition of d+a.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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