The first question that is asked in “Anatomy of a Fall,” a new film from the French director Justine Triet, is a simple one: “What do you want to know?” The line, which could stand as a motto for the whole movie, is spoken by a writer, Sandra Voyter (Sandra Hüller), in a chalet in the Alps. She is being interviewed by a graduate student, Zoé (Camille Rutherford), although their conversation is soon drowned out by a rumpus from above—specifically, an instrumental version of “P.I.M.P.,” by 50 Cent, played with a thunderous boom by Sandra’s husband, Samuel Maleski (Samuel Theis), who is also a writer. Either he’s deliberately sabotaging the interview or he wants to trigger an avalanche.
Of Samuel himself we see no sign, for the moment, and that matters. It foreshadows how the story will unfold. So much in “Anatomy of a Fall” is overheard, heard but not seen, seen but misunderstood, misremembered, conjured out of conjecture, or unwisely taken on trust. When we do catch sight of Samuel, he’s dead—sprawled in the snow beside the chalet, with a deep cranial wound and a trail of blood. So, did he tumble over a balcony or was he shoved? Did he hit his head on the edge of the shed below, or had the blow already been struck? Did he perish by his own hand, or at Sandra’s? Is 50 Cent a suspect? The puzzles proliferate. Warning: Do not expect them all to be solved.
هذه القصة مأخوذة من طبعة October 16, 2023 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 16, 2023 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
INSIDE JOB-"Hit Man"
Years before Hannah Arendt coined, in the pages of this magazine, the phrase \"the banality of evil,\" popular films and fiction were embodying that idea in the character of the hit man. In classic crime movies such as \"This Gun for Hire\" (1942) and \"Murder by Contract\" (1958), hit men figure much as Nazis do in political movies, as symbols of abstract evil.
WHATEVER YOU SAY
Rereading Jenny Holzer, at the Guggenheim.
SUBCONSCIOUSLY YOURS
Does every generation get the Freud it deserves?
BY A WHISKER
Louis Wain and the reinvention of the cat.
Beyond Imagining
Bessie, Lotte, Ruth, Farah, and Bridget, who had been lunching together for half a century, joined in later years by Ilka, Hope, and, occasionally, Lucinella, had agreed without the need for discussion that they were not going to pass, pass away, and under no circumstances on.
STATES OF PLAY
Can advocates use state supreme courts to preserve-and perhaps expand-constitutional rights?
THE LONG RIDE
The surf legend Jock Sutherland's unlikely life.
ARE WE DOOMED?
A course at the University of Chicago thinks it through.
GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME
Guys, want to play this new board game? It’s called Life. No, it’s not “one of God’s impossible-to-understand games that take three hours to learn.” It’ll be fun, I promise!
RED LINE
With the election approaching, the U.S. and Mexico wrangle over border policy.
