PLANT LIFE
The New Yorker|October 02, 2023
Rebecca Gilman's "Swing State" and Theresa Rebeck's "Dig." 
HELEN SHAW
PLANT LIFE

Technically, there are only four characters in Rebecca Gilman’s “Swing State,” a melancholy new drama, now at the Minetta Lane. There’s a retired guidance counsellor, Peg (Mary Beth Fisher); her troubled young neighbor, Ryan (Bubba Weiler); the local sheriff, Kris (Kirsten Fitzgerald); and Kris’s niece and deferential new deputy, Dani (Anne E. Thompson). They all cause problems for one another, even as they try their clumsy best to offer help. But the fifth character—and the one we should really be worrying about—is Wisconsin. Is anyone doing anything for Wisconsin? In 2021, the swing state of the title is teetering, both socially and ecologically, and Gilman deposits us in that trembling landscape, even though her play takes place entirely indoors.

Peg’s sprawling house sits on more than forty acres of so-called remnant prairie, a rare sliver of the tallgrass Plains, an endangered ecosystem that dates back roughly ten thousand years. “There used to be millions and millions of acres of it, all down the middle of the country, but there’s only about four per cent left now,” she tells Dani. Sheriff Kris hankers after the untilled property—she’s dying to see it “put to good use” as productive cropland—but Peg is committed to protecting her wild remnant from the corn and soybean monocultures that threaten it on all sides. A biome doesn’t necessarily obey boundary markers, however, and nitrates from huge farms are leaching into Peg’s groundwater, as pesticides drip over her fence line.

هذه القصة مأخوذة من طبعة October 02, 2023 من The New Yorker.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة October 02, 2023 من The New Yorker.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.

المزيد من القصص من THE NEW YORKER مشاهدة الكل
GREAT MIGRATIONS
The New Yorker

GREAT MIGRATIONS

\"Home\" and \"What Became of Us.\"

time-read
5 mins  |
June 17, 2024
SICK, SAD WORLD
The New Yorker

SICK, SAD WORLD

What COVID did to fiction.

time-read
10+ mins  |
June 17, 2024
MOVE IN FOR THE CULL
The New Yorker

MOVE IN FOR THE CULL

The complicated calculus of killing some wild creatures to protect others.

time-read
10+ mins  |
June 17, 2024
EVERYTHING IN HAND
The New Yorker

EVERYTHING IN HAND

The C.I.A.'s covert ops have mattered-but not in the way that it hoped.

time-read
10+ mins  |
June 17, 2024
CHICAGO ON THE SEINE CAMILLE BORDAS
The New Yorker

CHICAGO ON THE SEINE CAMILLE BORDAS

I used to tell myself stories on the job, to make it feel exciting—spy stories, exfiltration stories, war stories. I used to come up with poignant little details that turned the repatriation cases I worked on into “Saving Private Ryan,” into “Johnny Got His Gun.”

time-read
10+ mins  |
June 17, 2024
A SEMBLANCE OF PEACE
The New Yorker

A SEMBLANCE OF PEACE

How life in a co-living community changed after October 7th.

time-read
10+ mins  |
June 17, 2024
HIS BEAUTIFUL DARK TWISTED FANTASY
The New Yorker

HIS BEAUTIFUL DARK TWISTED FANTASY

Ye bought a masterpiece by Tadao Ando-and gave it a violent remix.

time-read
10+ mins  |
June 17, 2024
SCREEN GRAB
The New Yorker

SCREEN GRAB

How CoComelon conquered children's television.

time-read
10+ mins  |
June 17, 2024
FOND OF FLAGS
The New Yorker

FOND OF FLAGS

My wife is fond of fast food. I am not. My wife is particularly fond of the Wendy’s Baconator. I argue that it’s less expensive to order a Dave’s Double with a side of bacon, then put your own pretzels on top. (I’m fond of the Rold Gold Tiny Twists Original.)

time-read
3 mins  |
June 17, 2024
TROPHY ROOM
The New Yorker

TROPHY ROOM

Going on safari.

time-read
10+ mins  |
June 17, 2024