The first crime scene in the new season of “True Detective” isn’t that of the seven gnarled, naked bodies we see piled on top of one another in the snow at the end of Episode 1, but of a more mundane violence. A woman tries to flee her physically abusive boyfriend, and he tracks her down at work. This time, he gets walloped, with a metal bucket, by his girlfriend’s co-worker, an older woman. The blow leaves his face a gory mess. The officer who arrives to escort the man off the premises, Evangeline Navarro (Kali Reis), asks the girlfriend whether she’ll press charges against her ex; the trooper doesn’t offer him the same choice before putting him in cuffs. The local chief of police, Liz Danvers (Jodie Foster), isn’t exactly complimentary when she later says that Navarro’s “got this thing about women who get hurt.” The arrest feels righteous, but the stench of the man’s menace lingers. Tidy endings are hard to come by, especially once blood has been spilled.
There’s a refusal to separate or elevate sensational brutality from the everyday sort in this latest installment of the HBO anthology drama—a feminist revision of a series best known for its macho poetry and its ogling eye. The show’s creator, Nic Pizzolatto, had his mostly male investigators contend with child murderers and pedophile rings; the QAnon-esque luridness of those crimes haunted the grizzled detectives for decades thereafter. The writer-director Issa López, who has taken over from Pizzolatto as showrunner, moves the action from sunbaked states to the fictional town of Ennis, Alaska, where, as of mid-December, daylight won’t return for several weeks. The uninterrupted Arctic dark lends the season its subtitle, “Night Country,” as well as its wintry, edge-of-civilization atmospherics. Watching the six-part season from under a blanket in California, I couldn’t get warm.
هذه القصة مأخوذة من طبعة January 22, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة January 22, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
INSIDE JOB-"Hit Man"
Years before Hannah Arendt coined, in the pages of this magazine, the phrase \"the banality of evil,\" popular films and fiction were embodying that idea in the character of the hit man. In classic crime movies such as \"This Gun for Hire\" (1942) and \"Murder by Contract\" (1958), hit men figure much as Nazis do in political movies, as symbols of abstract evil.
WHATEVER YOU SAY
Rereading Jenny Holzer, at the Guggenheim.
SUBCONSCIOUSLY YOURS
Does every generation get the Freud it deserves?
BY A WHISKER
Louis Wain and the reinvention of the cat.
Beyond Imagining
Bessie, Lotte, Ruth, Farah, and Bridget, who had been lunching together for half a century, joined in later years by Ilka, Hope, and, occasionally, Lucinella, had agreed without the need for discussion that they were not going to pass, pass away, and under no circumstances on.
STATES OF PLAY
Can advocates use state supreme courts to preserve-and perhaps expand-constitutional rights?
THE LONG RIDE
The surf legend Jock Sutherland's unlikely life.
ARE WE DOOMED?
A course at the University of Chicago thinks it through.
GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME
Guys, want to play this new board game? It’s called Life. No, it’s not “one of God’s impossible-to-understand games that take three hours to learn.” It’ll be fun, I promise!
RED LINE
With the election approaching, the U.S. and Mexico wrangle over border policy.
