In American pop culture, coming of age tends to be a solo endeavor. Adolescence is when we start to define ourselves against our parents, our peers, and the forces that structure our worlds; Hollywood often distills that grappling for identity into a lone hero’s journey. But, for the teen-age quartet at the heart of the FX series “Reservation Dogs,” which just concluded its three-season run on Hulu, it’s an inherently communal experience. Early on, the foursome—Bear (D’Pharaoh Woon-A-Tai), Elora (Devery Jacobs), Cheese (Lane Factor), and Willie Jack (Paulina Alexis)—resist that revelation, convinced that their home town of Okern, Oklahoma, killed the fifth member of their group, Daniel (Dalton Cramer), who had dreamed of ditching their Muscogee rez for California beaches. Grieving for their friend a year after his suicide, the teens couldn’t see what the audience could: that dusty Okern was alive with oddballs, artists, helpers, and ways to heal. The showrunner, Sterlin Harjo, who created the series with Taika Waititi, continued expanding this mosaic for the next two seasons, in a mode spearheaded by Louis C.K.’s “Louie” and brought to its apex by Donald Glover ’s “Atlanta”: the formally and tonally mercurial, auteur-driven, detour-prone, impressionistic halfhour dramedy. (Call it “the FX mood piece.”) The result can be easier to admire than to get lost in.
هذه القصة مأخوذة من طبعة October 16, 2023 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 16, 2023 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
INSIDE JOB-"Hit Man"
Years before Hannah Arendt coined, in the pages of this magazine, the phrase \"the banality of evil,\" popular films and fiction were embodying that idea in the character of the hit man. In classic crime movies such as \"This Gun for Hire\" (1942) and \"Murder by Contract\" (1958), hit men figure much as Nazis do in political movies, as symbols of abstract evil.
WHATEVER YOU SAY
Rereading Jenny Holzer, at the Guggenheim.
SUBCONSCIOUSLY YOURS
Does every generation get the Freud it deserves?
BY A WHISKER
Louis Wain and the reinvention of the cat.
Beyond Imagining
Bessie, Lotte, Ruth, Farah, and Bridget, who had been lunching together for half a century, joined in later years by Ilka, Hope, and, occasionally, Lucinella, had agreed without the need for discussion that they were not going to pass, pass away, and under no circumstances on.
STATES OF PLAY
Can advocates use state supreme courts to preserve-and perhaps expand-constitutional rights?
THE LONG RIDE
The surf legend Jock Sutherland's unlikely life.
ARE WE DOOMED?
A course at the University of Chicago thinks it through.
GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME
Guys, want to play this new board game? It’s called Life. No, it’s not “one of God’s impossible-to-understand games that take three hours to learn.” It’ll be fun, I promise!
RED LINE
With the election approaching, the U.S. and Mexico wrangle over border policy.
