Steven Millhauser, whose new collection, "Disruptions" (Knopf), is out just in time for his eightieth birthday, is the great eccentric of American fiction: a sleight-of-hand artist who from time to time seems to vanish into his own work. His first novel, "Edwin Mullhouse: The Life and Death of an American Writer 1943-1954, by Jeffrey Cartwright"-ostensibly a biography of an eleven-year-old novelist by his fifth-grade classmate-was a minor sensation when it first appeared, in 1972, and it became a cult classic. There has never been anything like it, both a parody of literary biography and a mesmerizing evocation of a small-town nineteen-fifties childhood.
Millhauser had another brush with fame in 1997, when his fourth novel, "Martin Dressler: The Tale of an American Dreamer," won the Pulitzer Prize. But his second and third novels-one a portrait of a teen-age romantic and the other a fantasy set in the kingdom of Morpheus, the god of dreams-are not as memorable, and he is best known for his short stories and novellas, like the ones gathered in the new book, in which compression somehow allows his talent its fullest expression. (Millhauser has said that he likes the "fraudulent modesty" of the story, the way that, pretending not to strive for much, it actually aspires to embody the whole world.)
هذه القصة مأخوذة من طبعة August 14, 2023 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة August 14, 2023 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
INSIDE JOB-"Hit Man"
Years before Hannah Arendt coined, in the pages of this magazine, the phrase \"the banality of evil,\" popular films and fiction were embodying that idea in the character of the hit man. In classic crime movies such as \"This Gun for Hire\" (1942) and \"Murder by Contract\" (1958), hit men figure much as Nazis do in political movies, as symbols of abstract evil.
WHATEVER YOU SAY
Rereading Jenny Holzer, at the Guggenheim.
SUBCONSCIOUSLY YOURS
Does every generation get the Freud it deserves?
BY A WHISKER
Louis Wain and the reinvention of the cat.
Beyond Imagining
Bessie, Lotte, Ruth, Farah, and Bridget, who had been lunching together for half a century, joined in later years by Ilka, Hope, and, occasionally, Lucinella, had agreed without the need for discussion that they were not going to pass, pass away, and under no circumstances on.
STATES OF PLAY
Can advocates use state supreme courts to preserve-and perhaps expand-constitutional rights?
THE LONG RIDE
The surf legend Jock Sutherland's unlikely life.
ARE WE DOOMED?
A course at the University of Chicago thinks it through.
GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME
Guys, want to play this new board game? It’s called Life. No, it’s not “one of God’s impossible-to-understand games that take three hours to learn.” It’ll be fun, I promise!
RED LINE
With the election approaching, the U.S. and Mexico wrangle over border policy.
