|Single issue||$ 5.99||-|
For over fifty years, Alfred Hitchcock’s Mystery Magazine has been one of the foremost publishers of mystery, crime, and suspense short stories. AHMM publishes mystery fiction of the broadest range and the highest quality, featuring every subgenre of mystery fiction. "The lack of a specific house style," says Kirkus Reviews, "is its greatest strength." Stories featured in AHMM have won dozens of awards, including many Robert L. Fish awards for Best First Mystery Short Story of the year. Alfred Hitchcock's Mystery Magazine is home to many bestselling authors, including Martin Limon, Jane K. Cleland, Loren Estleman, Rhys Bowen, and Kristine Kathryn Rusch. Starting with its January/February 2017 issue, Alfred Hitchcock’s Mystery Magazine updated its annual subscription format to feature a total of 6 issues per year, all of them 192-page double issues. The new format allows for expanded articles and more special features, as well as greater editorial flexibility overall, and comes with no increase in the annual subscription price! Alfred Hitchcock's Mystery Magazine features 6 double issues each year.
Crime is character building, at least in crime fiction, because it is characters, their dark psychologies and questionable motivations, that drive compelling stories—as the tales in this issue amply demonstrate. What compels a model prisoner, in Tony Richards’s “Magpie Man,” to burst out of jail just before he is to be lawfully released? What motivates a desperate woman, in Dale Berry’s graphic story “Dead Air,” to strike up a conversation with a radio DJ? Why does a detective, in Wayne J. Gardiner’s “Bygones,” return home for the funeral of his high-school adversary? Interpersonal entanglements complicate Charles John Harper’s police procedural “The Echoes.” A man seeking invisibility is driven from the dangerous shadows in Bob Tippee’s “Underground Above Ground.” Susan Oleksiw’s “How Do You Know What You Want” is a poignant story of a teen in foster care and the woman who tries to connect with her, and Martin Limón’s P.I. Il Yong pursues a case that takes him to the remote reaches of the Himalayas, where survival may depend on the uncertain kindness of othes, in “hominid.” Social institutions and conventions are questioned in Alan E. Foulds’ “Razor’s Edge” when a reporter revisits a long-ago cold case, and in Mitch Alderman’s “Bleak Future” when P.I. Bubba Simms looks into extortion among central Florida’s genteel society. An old injustice gets a fresh look in “Rough-Hewn Retribution,” Nancy Pauline Simpson’s historical set in the early twentieth century South. A homicide detective and suspect match wits in the interview room in Chris Knopf’s “A Little Cariñoso.” And a land dispute is complicated—and deadly—in Gilbert M. Stack’s British historical whodunit “Greed.” Watch out, these complicated characters will steal your attention—and perhaps your sympathy.