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For over sixty years, Alfred Hitchcock’s Mystery Magazine has been a foremost publishers of mystery, crime, and suspense short stories. AHMM publishes mystery fiction of the broadest range and the highest quality, featuring every subgenre of mystery fiction. Stories featured in AHMM have won dozens of awards, including many Robert L. Fish awards for Best First Mystery Short Story of the year. Alfred Hitchcock's Mystery Magazine is home to many bestselling authors, including Martin Limon, Jane K. Cleland, Loren Estleman, Rhys Bowen, and Kristine Kathryn Rusch. Starting with its January/February 2017 issue, Alfred Hitchcock’s Mystery Magazine updated its annual subscription format to feature a total of 6 issues per year, all of them 192-page double issues. The new format allows for expanded articles and more special features, as well as greater editorial flexibility overall, and comes with no increase in the annual subscription price!
With its silver screen vibe, July/August AHMM is our Summer Blockbuster issue. These mysteries share important traits with the movies: the tales are vivid and visceral; clever writers direct the reader's focus; and the narratives manipulate perceptions to build drama and suspense. A naive scriptwriter’s desperation to break into the movies leads him to put his trust in a criminally minded mentor in Kevin Egan’s “The Movie Lover.” The Hollywood set of a gangster picture is also the venue for an act of revenge in Robert S. Levinson’s “Nine Years Later.” The success of a jewelry heist depends on the performance of its “stars” in Rebecca Cantrell’s caper “Homework.” And a poker player, a grifter, and a mobster play their parts to fix—and unfix—a boxing match in Christopher Latragna’s “A Lousy Little Grand.” Comic book super heroes offer models of strength for a young boy in “Safe” by Meredith Frazier. The theft of a rare medieval manuscript comes with unexpected costs in Robert Mangeot’s “Book of Hours.” How valuable are an artist’s napkin sketches? Find out in Albert Ashforth’s “A Tragedy Averted.” Linda Mannheim tells a story of a couple’s struggle during South Africa’s apartheid through letters and other “Documents.” A newspaper reporter in Victorian London who extorts money from wealthy men charged with an “unnatural crime” gets a lesson in humility and humiliation in Eric Rutter’s “Hateful in the Eyes of God.” Eve Fisher returns to her fictional Laskin, SD, where a young man slips from aspiring suitor to stalker in “Blue Moon.” David Edgerley Gates examines a fateful armed bank robbery where one of the hostages is the mother of the responding officer in “I Pray the Lord My Soul to Take.” Josh Pachter also takes on an armed robbery, this one set in a restaurant where a married couple are matching wits over dinner, in “Not My Circus.”