A Life in Art: A tribute to Richard Schmid in celebration of the 20th anniversary 
of his book, Alla Prima II  •  The Benefits of Working in Multiple Mediums: How working in various mediums enhances painting abilities as well as the appearance and emotional impact of a composition  •  Representing the Real: Insights on the career, techniques and new traveling retrospective of prolific artist Daniel E. Greene  •  Artist Elements – Part 6: Impressionism with Mauve  •  10 Steps to Paint Like an Impressionist – Parts 5 & 6: Colour My World & Making Your Mark  •  Colored Pencil Comes of Age in the International Art World  •  Demonstrations, Workshops & Master Painters of the World

NEW COLUMN!–Beyond the Palette with Scottsdale Artists’ School: A conversation with artist and instructor Derek   • Station Points–Tips & Insights from James Gurney: TRIADS, Part 1: Plein Air Experiments •  Defining Your Creative Voice: Using three essential aspects of visual expression can help artists stay true to themselves • Mastering Still Life Painting Part 4 – Avoid the Anxiety of Painting Roses with this Easy Stage-by-Stage Process • Demonstrations, Workshops & Master Painters of the World

Station Points: Tips & Insights from James Gurney: How to Paint a Spotlight Effect  •  A Painter’s Journey: Part 7 – The Painter as Teacher  •  Mastering Still Life Painting: Part 3 – 6 Painting Pitfalls to Avoid in Still Life  •  Demonstrations, Workshops & Master Painters of the World

Mastering Still Life Painting:Part 2 – 3 Steps to a Successful Still Life Composition  •  Learning from the Masters: Painting copies of the old masters helps the artists of today to learn 
new techniques  •  And Demonstrations, Workshops & Master Painters of the World

A Painter’s Journey Part 5 – Creating a Vision • Mastering Still Life Painting:  Part 1  – Creating a Successful Process: An Alla Prima Approach for Still Life Painting • Past and Present  Compositions from two ongoing series celebrate people and places throughout history • Painting Porcelain:An inside look at the history, techniques and artists working in this traditional art form • Demonstrations, Workshops & Master Painters of the World

A Painter’s Journey Part 4 – Diamonds in Your Own Backyard  •  Station Points—Tips & Insights from James Gurney:  The Pencil: Thinking and Technique  •  The Art of Still Life—Modeling Forms: Sculpting in Two Dimensions  •  Demonstrations, Workshops & Master Painters of the World

Thriving in Nature: Painting from life has enhanced Daniel J. Keys’ still lifes and landscapes  •  Derived from the Old Masters: Noah Buchanan shares his own method of indirect painting based on years of study  •  A Painter’s Journey Part 3 – The Studio Boat  •  Demonstrations, Workshops & Master Painters of the World

A Painter’s Journey: Part 2 – Painting Knives at Work  , Station Points: Tips & Insights from James Gurney,  Painting Snow Scenes in Gouache, The Still Life: A look at Richard Schmid’s newest book on still life painting, Truth & Beauty: After cutting his teeth on billboards, painter Tim Solliday turned to Western art and never looked back,  Demonstrations, Workshops & Master Painters of the World

An Painter’s Journey Part 1 – An Introduction to Painting Knvies • Richness of Color in Oil Paintings • Home of the Brave: Mary Whyte’s impressive series of watercolors honors armed service members after they return from battle. • and Demonstrations, Workshops & Master Painters of the World

28 Station Points: Tips & Insights from James Gurney: Experimenting with Oil Techniques  •  An Artist’s Artist : Remembering the life and legacy of portrait artist Everett Raymond Kunstler, by Michael Shane Neal  •  Dreamscapes: J. Louis blends artistic styles in his textural figurative paintings that have a strong focus on technique and subject matter, by Alyssa M. Tidwell  •  and Demonstrations, Workshops & Master Painters of the World

Truth in Detail: Chinese-American painter Z.S. Liang turns to historical detail to bring to life his works showing Native Americans, by Dan Corazzi  •  Brought Into Focus:  A recent retrospective allowed T. Allen Lawson to stand back and see his work from a new perspective,  by Michael Clawson  •  Demonstrations, Workshops & Master Painters of the World

Station Points: Tips & Insights from James Gurney: Sketching Irish Musicians • Surrounded by Inspiration: An artist residency in the Eastern Swiss Alps allowed for close examination of the environment through multiple seasons, by Devdatta Padekar • Demonstrations, Workshops & Master Painters of the World

10 Steps to Paint Like an Impressionist – Parts 9 & 10: Knowledge is Power, Get Educated & Hard Work Never Hurt Anyone, By Colley Whisson  •  Expanding an Artist’s Potential:  Billy Seccombe discusses the impact of teaching artist residencies and workshops  •  Demonstrations, Workshops & Master Painters of the World

10 Steps to Paint Like an Impressionist – Parts 7 & 8  •  Honest Portrayals: The paintings of Mario Robinson focus on the essence of the sitter as well as their universal truths  •  A Brush with History: A new art book celebrating the work of Morgan Weistling features the artist’s unmistakable brand of storytelling  •  Controlling Values: Ken Salaz shares his approach for establishing values through underpainting  •  Painting the Diaspora:  Papay Solomon’s portraits tell untold stories of immigrants and refugees  •  Painting on Location: John Lovett shares the results of his recent workshop in Cornwall and the Cotswolds  •  Demonstrations, Workshops & Master Painters of the World

Artistic Elements – Parts 4 & 5:  The Magic of Water & Making the Absolute Most of Light, By Robert Hagan • 10 Steps to Paint Like an Impressionist – Parts 3 & 4: We Better Shape Up & On the Edge of Reality, By Colley Whisson • From Concept to Canvas: Warren Chang’s newest painting, Give Us Our Daily Bread, comes to fruition after years of development • Demonstrations & Workshops

Artistic Elements – Parts 2 & 3: The Power of Emotion & Action Powered by Dust, By Robert Hagan  •  10 Steps to Paint Like an Impressionist – Parts 1 & 2: Compositional Devices & Editing & Eliminating, By Colley Whisson  •  Demonstrations, Workshops & Master Painters of the World

Demonstrations, Workshops & Master Painters of the World • Artistic Elements – Part 1:  Hit’em with Drama, by Robert Hagan • Behind the Face: A portrait exhibition at the U.S. branch of Florence Academy of Art highlights the individual approaches to interpreting human emotions, by John O’Hern

Demonstrations, Workshops & Master Painters of the World  •  Communication & Discovery: Through drawing, artists learn how to explore subject matter in new ways and to greater depths. By Coulter Prehm

From Inspiration to Artist - Part 2:  Professional artist Janet A. Cook shares her insights on the path to a successful career  •  Inspiration Around Every Corner: The people and scenes of California’s Monterey Peninsula often inspire the paintings of Warren Chang  •  Contemporary Classicism: The artwork of Hollis Dunlap blends the academic tradition with his own unique vision  •  Demonstrations, Workshops & Master Painters of the World

From Inspiration to Artist Professional artist Janet A. Cook shares her insights on the path to a successful career  •  Feminine Mythology:  Well-known illustrator Boris Vallejo shares his insights on technique and painting fantasy-themed works of art, by John O’Hern  •  Demonstrations, Workshops & Master Painters of the World

Legend of the Sea: The paintings of master marine artist John Stobart evoke the stories of yesteryear and his passion for the subject matter  •  Life Drawing: Daniel Maidman discusses techniques for drawing from life for quick studies and fully developed works  •  Demonstrations, Workshops & Master Painters of the World


Drawing Portraits in Charcoal:  Insight on drawing materials, common challenges and the use of light and shadow, By Nathan Fowkes  •  Station Points: Tips & Insights from James Gurney: Do Gouache and Watercolor Play Well Together?  •  Professional Artist: Why Are Commissions So Important? A look at the key elements of commissioned artwork, By Graeme Smith  •  Painting Workshop:  New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting  •  Discovering Art: The Making of an Artist Part 71, Space Division & Hunan Sunset, By Barry John Raybould  •  Demonstrations, Workshops & Master Painters of the World

Station Points: Tips & Insights from James Gurney Sharing Your Art on  Social Media  •  Nature’s Gifts: Colorado painter Jay Mooreu ses the beauty of nature to explore light, memory and the permanence of paint. By Michael Clawson  •  Third Shenzhen International Watercolour Biennial Announced  •  From America to Provence: In Cézanne’s Footsteps   •  Demonstrations & Workshops


Station Points: Tips & Insights from James Gurney Casein Painting in the Wild  •  Enhancing One’s Craft:  An inside look at a two-week summer intensive painting workshop in New York City,  by Billy Seccombe  •  In Detail: Using history and authentic artifacts, painter Kyle Polzin explores a detail-rich brand of storytelling, By Michael Clawson

Myths of the West:  Arizona sculptor John Coleman makes a bold statement as a painter with his new collection of Native American paintings  •  Connecting with a Client: The challenges and compromises of commissioned artwork can lead to satisfying results  •  Plus Demonstrations, Master Painters of the World & Workshops from across the world

Inside the studios of the world's best Artist: Details of Nature in Watercolor with Heidi Willis • Richard Schmid: Remembering Lightness • The Sketchbook: A Powerful Influence by Robert E. Wells

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February-March 2019

December/January 2019

October/November 2018

August/September 2018

June/July 2018

International Artist takes you inside the studios of the world’s best artists. The magazine displays practicing artists describing their approach and work process in all painting mediums.

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International Artist - October/November 2018

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