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In this issue

The objective of war photography is to snare conflict in its raw form. It covers not just the weapons and weaponry used in battles, but also the wreck of war on people and locations. This might seem a simple task, but photographers who practiced this genre have to be brave and professional. Not only do they need to click great photographs, but they also need to be adaptable. This is due to the fact that photographers who work in this field can find themselves in potentially dangerous circumstances. If they are not vigilant, they can be killed. War photography raises ethical and moral concerns, and it is also emotionally exhausting. Nonetheless, war photography has a certain allure, and the historical value it carries is unrivaled. The sense of accomplishment that comes from presenting the facts to the world is ineffable.

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