本期PRESTIGE TAIWAN的八月號封面人物邀請甜心演員陳庭妮，與大家分享她的人生觀以及和愛犬Chelsaa互相陪伴的故事。同時，我們的專題因應父親節來到，以《生命的軌跡》為題，邀請到Karan Berry、董昱彥、莊盛全、薛舜迪、蔡佳宸、郭泓志、廖冠傑、袁悅苓&袁保華，與我們談談他們心中對於世代傳承的看法。此外，我們也收錄了演員汪東城、吳可熙和香港影帝黃秋生的專訪，談談他們對事業的熱愛以及價值觀的呈現，這期內容相當精采，你千萬不能錯過。

冷靜自信、珍惜當下、淡定面對未知、勇於表達溝通，再加點幽默感，這些特質融匯出林熙蕾多面向的魅力，也是她將事業與家庭兩方面都打理穩妥的人格特質。

身為一位創業家、文創投資人、母親及妻子，蔡依珊就像那些試著兼顧一切的女性，忙碌、堅定又溫柔的經營著生活。因為她深信，女性是自己的靠山，也是家人最溫暖的依靠。

人的一生似乎總會面對許多難解的問題。學會做自己，也要學會放過自己，明知互相矛盾，卻仍說服自己全盤接受。我們總是在無數錯綜複雜的關係裡學會成長、有過歡樂，當然也會有過哭泣。
何時才會是屬於自己最好的時光，誰又說了算，也許就像Melody 所說的：「別把人生想像的太難，這個世界的生存法則其實沒那麼複雜，更沒有那樣地嚴肅，回歸自我，無論你是什麼年紀，只要誠實勇敢去做就對了。」

演員是非常特別的職業，總能體會無數次人們難以想像的人生。
所以無論是《敗犬女王》的單無雙、《一把青》的「師娘」秦芊儀或是《花燈初上》的「蘇媽媽」蘇慶儀，楊謹華一次又一次的轉變，在她所演過的無數角色的生命裡，看盡人間煙火。
但這一次訪談裡，她說：「演到後來，好像有點遇到瓶頸了。」
反倒是《乘風2024》的邀約來的恰到好處，她終於可以脫下包袱，站上舞台又唱又舞。看似破格的嘗試，卻讓人驚喜看見，百變的戲劇女王，其實有著瀟灑帥氣的另一面。

實力派演員宋芸樺每每詮釋新的角色時，會讓自己彷彿是在畫布上盡情揮灑喜歡的顏色，同時期望呈現出立體、多面向的角色性格。透過閱讀對她的人生觀有著潛移默化的引導，也讓至今從事表演事業十年馬不停蹄的她，現階段對於人生的下一步有了新的計畫。

有些演員是像時代的風景，似乎橫跨在每個階段。
比如，張孝全，在每個世代都有愛戴他的觀眾，而出道甚早的他，現在正走入表演事業的高峰，近年一部部深刻、發人深省的故事與多樣的題材角色，讓我們不禁讚嘆，還好這世代，我們還有張孝全。

永遠的嘻哈女神Dizzy Dizzo 蔡詩芸在新專輯《Spiral》發行之際，與PRESTIGE 分享一路以來的創作心路歷程，以及分享在《乘風2024》炸裂舞台的那一瞬間。
Dizzy Dizzo 蔡詩芸與我們分享一個令眾人意想不到的祕密，過往的她有舞台恐懼症，現在一心只渴望更多的舞台演出。
以及時常在社群媒體上曬身材、曬泳衣的她是真的熱愛潛水與海洋保育，Dizzy Dizzo 蔡詩芸與王陽明兩人解救過近千顆的海龜蛋

關於工作、關於人生，我們都把人生想像的太難，
這個世界在王淨眼中，生存法則其實也沒那麼複雜，
當妳沒辦法控制外界對自己的評斷，那就盡可能誠實地做好自己。
人生完美的事太少，我們不能什麼都想要。

細細爬梳關於關穎的歷程，歌手、演員，演過的電視劇、電影與MV 幾乎橫跨一世代人的回憶。歷經疫情，又短暫的當了YouTuber，和家中三寶拍了不少熱門企劃。
現在的她，除了是個三寶媽、是公益慈善家、企業經理人也是個KOL，身份百變，多元的她，自在穿梭在不同的宇宙，持續擔任點亮人們的那顆星。

出道逾40 年，甄子丹是一代人的青春記憶，從香港影壇走向國際，被譽為當代影壇的「功夫巨星」、「最後的本格派」，當然這些稱謂也僅僅只是錦上添花，甄子丹的一生可謂傳奇，電影之於他是一輩子的志業，儘管奮鬥多年，依舊保有電影、表演創作的赤誠之心，始終惦記著身為演員的核心價值，並持續讓世界看見中國功夫的底蘊。
他是影壇永恆的葉問、宇宙最強—甄子丹

相隔兩年，蕭敬騰帶著全新專輯《野生》與歌迷朋友見面。將自己歸零，回歸到作為歌手最純粹全然的狀態，為了專輯錄製，更大膽挑戰前往挪威戶外錄製新專輯，蕭敬騰深信，不被理所當然的規範所限制，或許能看見全然不同的驚喜，讓一切順其自然，最終會長出最好的樣子，也希望這張作品能療癒聽者們。

對我們來說，故事是最有「人味」的語言，故事中總帶有某種指點功能的知識與智慧，訴說著人們如何過活；聽故事與說故事，正是一個世代相傳編織意義的活動，而電影工作者，就是「說故事人」的具體實踐。以「故事」作為一切對話的起點，進一步開展出不同的敘事技巧與表達形式，最終的目的，皆在促成人們與他者之間，彼此的相互理解以及情感交流，電影工作者透過影像，連結時代、不同年紀的人們，以動人的故事吸引眾人，這樣的樣態中，一個說故事的人同時也是身在故事中的人，而阮鳳儀，確實是生在故事中的翩然存在。

十年不見，歲月並沒有在曾愷玹身上留下太多的痕跡，儘管已經闊別螢光幕露面，但她依然保持苗條和優雅的氣質。唯一不同的是，她早已退去稚嫩，多了一絲面對時間從容自若的力量與淡定。


鄭元暢不只是《惡作劇之吻》偶像花美男一種風貌，他可以是張愛玲作品《半身緣》中的文學角色，他在《不良執念清除師》是失去摯愛兒子的父親。近期口碑與收視皆亮眼的《有生之年》，他在劇中飾演的角色徘徊於家庭關係與自我認同，而角色是名言情小說出版社編輯，鄭元暢為此甚至到出版社做田野調查，觀察編輯日常生活舉止好深度刻劃角色。這就是鄭元暢，熱切、深刻與真誠，永遠擁有多樣的戲劇風貌。

美好這一詞之於曾馨瑩而言，似乎正是最好的形容詞，面對不同角色、身份轉換，總是恰如其分地優雅，不斷地與我們分享美、分享愛，用愛分享一切事物，在每一刻都留下最美的時光。

永遠的女神徐若瑄跨足戲劇、音樂、詞曲創作以及大獲好評的《孤味》電影監製，展現藝能全方位的完美詮釋。在此同時，徐若瑄仍能充滿活力，扮演每一個角色，在封面拍攝現場直覺演繹全能卻又具感染力的專業形象，與她片刻相處的過程中，PRESTIGE捕捉的每一個鏡頭，都讓工作人員驚呼連連、難以取捨！到底，徐若瑄是如何在眾多不同角色中保有熱情與創作活力？接下來就跟著PRESTIGE來欣賞更多關於徐若瑄的故事。

男人都有探索的基因，不管是真實的出走或是心靈的壯遊，都是屬於男人的自我實現。Akira在台灣雖然人稱「國民姐夫」，溫暖陽光又時尚個性的形象深植人心， 但身為男人，自當有期待自我實現的探索基因，這一次PRESTIGE深入Akira的心靈，以「體現者」的觀點展現屬於男人的自我實現。

十年，確實是不短的時間，但其實也是剎那飛逝。宋芸樺的演員生涯邁入十年里程碑，我們看到她的演技從稚嫩到逐漸成熟，但不變的初心，仍是那個期待不斷地探索著屬於「表演」的萬分美好；確實，對她來說，演戲就像是體驗不一樣的人生，從不同的視角探索屬於自身的蛻變， 而不斷地跳出舒適圈追尋理想的期待與生活的精彩面貌， 對宋芸樺來說，這些滋養人生的境遇就像「光」，她就是那個追逐「光」的人，期待追尋屬於自我實現的自在靈魂。


劉冠廷，近幾年不論是在戲劇與電影演出的表現都相當亮眼，他可以是《花甲男孩轉大人》裡的癡情台客，可以是《火神的眼淚》中性格剛烈正直的消防員，更可以是《陽光普照》中緊迫盯人情勒家屬的流氓，以及警匪喜劇《詭扯》中喜感十足的脫序黑警。劉冠廷飾演的是你我身邊常見的典型人物，但在他的詮釋之下每個角色往往都顯得鮮活無比。劉冠廷告訴我們他是帶著「叛逆思維」在演戲，來聽聽劉冠廷與PRESTIGE聊他的「叛逆思維」和他的演員方法論。

蔡依珊，對我們來說可以是當代女性的代表，她聰明、優雅卻又率性、認真，有些不同流俗的個性，讓我們印象深刻。確實，消費文化與大眾媒體對女性自我觀感的影響—儘管她們聰明風趣、極具內涵，但依舊會試圖迎合大眾對「美」的想像，即便目前她們的社會地位與權力已遠遠超過50年前的女性，卻依舊拚命地想迎合外界的標準；但，蔡依珊似乎走出了屬於自己的觀點，從社會期待、家族傳承與獨立自我中找到平衡，PRESTIGE這一次與蔡依珊對話，在她的自我觀察與察覺中，找到屬於自身的美麗視角。

關穎的YouTube頻道的開場白是這樣的：頻道之所以取為「關穎72變」 是因為麻麻我本人的生日真的是7月2日，「不要說我沒有創意，但我很有誠意。」看著她在YouTube的分享，其實會發現，這樣的「變」中，其實存在了屬於關穎的「不變」。說一句實在話，每個年代，都有屬於這個時代的獨立女性，而他們在社會上也有自己的一片天，而關穎確實代表了這一年代的女性獨立而娉婷的面貌，她不同於流俗，有自己的視野，不但呈現精緻面貌、有時得具備生活感，風格多元，且專注完美，「變」得很有力量，也很有魅力。

李晶晶不只是名媛，她更是一位充滿正面能量的創業家。還記得喧騰一時、締造出熱門詞彙「晶晶體」的影片嗎？在「晶晶體」影片事件爆紅後，李晶晶以此為靈感創立了生活風格品牌Amazing by Jing Jing，專門推出有可愛動物圖案與激勵人心標語的創意布貼。她告訴我們，一個轉念就會有不同的結果，就可化逆境為積極正向力量。這邊就讓PRESTIGE繼續分享李晶晶的故事。

生命中的每一個時刻，我們都會問自己「Who Am I？」對我們的人生來說，這真的是一個大哉問，對Melody來說，也是如此。她的斜槓人生中，可以是「時尚媽咪」、作家、熱門Podcast節目主持人，但，這些身份似乎都不足以定義那個屬於「真實的她」的真實意義，而跳脫這些社會賦予的身份，Melody的真實面貌，又是如何？這次，我們希望脫去人們對Melody過去的既定印象，讓最「真實」的她詮釋自己，從而面對未知未來展現屬於自身獨立觀點，創造屬於自己的世代思維，也用自身的態度詮釋了她在不斷淬鍊中展現的力量，展現的美好風華。

郭雪芙與我們聊到跳脫偶像框架，身為演員挑戰演出極限的心路歷程。好比近期頗受好評的是在《華燈初上》中飾演在日式酒店上班的女大生愛子，以及你可能很難想像郭雪芙甚至會為戲剃短髮，只為演出戲中一名女扮男裝角色。她更坦白告訴我們，未來想多演出更具現實感、少點偶像夢幻甜美光環的角色。

曾之喬這幾年，似乎一直在創造屬於自身不一樣的想像，這種甘之如飴地面對挑戰的思維，似乎已成為其生命中不可或缺的元素；近年來一直都有不錯的表現的她，在各種不同的嘗試中，試著展現出最好、最全方位的自己，但跳脫螢光幕的她，卻返璞歸真地成為五光十色中的「留白」，也讓她得以展現屬於自身的的獨特個性。

「白色」代表著「無限可能」，就好像一張白紙，當你折出一道痕跡，紙張會有皺折，從不同角度檢視，會看見光影在紙上的變化，於是對我們來說，「留白」是曾之喬最迷人的姿態，也是她在自身多元演藝生涯中，勇於創造自己屬於個性的返璞歸真。

說起楊謹華，相信所有人的第一印象絕對是她是一位全方位的演員。從演出廣告、音樂錄影帶出道，到膾炙人口的《白色巨塔》、《敗犬女王》、《一把青》、《鏡子森林》再到目前收視、評論與口碑皆破紀錄的《華燈初上》。從演出記者、強勢女主管到飛官妻子再到酒店小姐，楊謹華飾演的角色可謂多元，並且各個飾演的角色深植人心，且多次入圍金鐘獎戲劇節目女主角獎受到肯定。今年又以《華燈初上》蘇慶儀一角再次入圍金鐘獎受到肯定，楊謹華與PRESTIGE聊到她的從影心路歷程，以及如何從中揣摩與學習扮演離自己生命經驗很遠的角色。

吳爾芙在《自己的房間》演講集中說：「我們要是面對事實，因為事實如此，沒有別人的臂膀可以讓我們依靠，我們必須孤身前行，我們的關係是在我們和現實世界的關係，而不僅是我們和男男女女的世界的關係。」西蒙波娃也在其女性主義經典作品《第二性》中陳述，女人和男人肯定存在天性的差別，但女性和男性則是社會文化建構出來的產物。對我們來說，女性有其「既定印象」，但這樣的印象卻不應該是理所當然，而我們看到的徐若瑄，也是如此。我們認識的徐若瑄，在媒體版面的總是光鮮亮麗、舉止優雅，但私底下卻是有屬於自身的堅毅個性，而且，更瞭解「自由」的獨立女性，該創造出的「模樣」。這次，PRESTIGE以「與自我對話」的想像出發，進入屬於徐若瑄「自己」人生的獨特樣貌，跳脫過去人們賦予人們對女性的「既定面貌」，創造屬於自身的強悍與溫柔。

影視巨星、潮流男神、加密貨幣藝術創業家，這些稱號可以但也都不足以形容余文樂。余文樂與PRESTIGE分享，有了家庭成為了父親後使得他的人生有重大轉折。現在的他開口閉口都是爸爸經，余文樂與我們暢談「父親」這個近期讓他心中最感驕傲的新身分之一。 

林心如主演並擔任總製作人的戲劇《華燈初上》獲得空前好成績。《華燈》開播前她曾與我們在訪談中聊到其中幾項創新與可能會創造口碑的元素─謀殺、懸疑與台灣日式酒店文化，這次林心如要獨家與PRESTIGE分享為何會選擇八〇年代台北條通日式酒店文化作為戲劇發展背景。

此外只要是有追劇的戲迷們，都一定有感受到《華燈》每每釋放某某演員即將參與演出的消息都必定造成極大社群回響。林心如也與我們解釋，為何參與演出《華燈》的演員都可以是一時之選。最後，林心如與我們分享她轉型成為製作人的心路歷程，以及她對成功的影視製作人的定義。

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PRESTIGE is the standout lifestyle magazine defined as much by its exclusive readership of influential, high net worth individuals as its bold, original imagery. Stylish, inspirational & always contemporary, PRESTIGE is created monthly for affluent readers who are already experiencing the best in life. From exclusive cover stories about Asian & international movers & shakers, to intelligent content focused on travel, dining, art, fashion & entertainment, PRESTIGE showcases a fabulous, luxury lifestyle others can only aspire to.

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Girish Ramdas is the Co-founder and CEO of Magzter, a New York based startup that has been making waves in the global digital publishing business. Magzter has crossed 80 million users since its inception in 2011 from more than 150+ countries with 1000s of magazines, newspapers and books from more than 4,500 publishers worldwide. He has more than 25 years of experience in cross-platform publishing, including print, mobile, and Web development. During this period, he has co-founded and run three successful start-up businesses. He has enabled magazine companies to go digital and helps them monetize their content across the digital world. Girish's deep industry experience in online, mobile and publishing ecosystems has made him an expert in acquisition, marketing and monetizing digital content across platforms globally.

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Magzter Inc. is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 80 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Magzter is committed to providing a safe and secure platform for our users. Please note that Magzter is merely a platform for publishers to distribute their content. We do not control or endorse the content published on our platform. We cannot be held responsible for the actions of our publishers or their content.

Magzter is not responsible for compensating any party that has suffered damages or incurred costs due to any content, or part of the content, that violates their rights. Magzter is not liable to face any legal action in civil court for any violation of rights caused by any content, or part of the content, that infringes the rights of a third party.

Magzter offers the world’s largest {{allyoucanread}} subscription service called {{gold}} which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Magzter offers the world’s largest “All-You-Can-Read” subscription service called Magzter GOLD which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

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Prior to Magzter, he was the President of Dot Com Infoway (DCI) and Galatta Media. His duties included strategic marketing, partnership development, and monetizing content globally. DCI grew from a small team of 3 in 2000 to 300 by 2011 and was dealing with web, software and app development for clients globally.

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f. The Personal Information we collect allows us to respond to your requests, improve our products and services, customize the advertising and content you see, and communicate with you about new products.

is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

n. We will also use usage information in order to ensure users adhere to our Terms of Use. For example, a user’s usage information will help us confirm that a user only downloads a magazine or other content a permitted number of times or to a permitted number of devices.

which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Prestige Taiwan Magazine - August 2019

Prestige Taiwan Magazine - August 2019

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