Capital Scams : Working for Delhi\'s  fraud call centres,
Lampoon Elements : Kashmir\'s leading satirist prepares for his return to the stage, 
Baiting the ballot : A day in the life of an Aam Aadmi Party candidate.

The Caravan is India’s most respected and admired magazine on politics, art and culture. With a strong literary flair, the magazine presents the best of reportage and commentary on politics, policy, economy, art and culture from within South Asia.  It has become an essential read for anyone interested in understanding the political and social environment of the country.

The country’s first and only publication devoted to narrative journalism, The Caravan’s stories present a unique mix of detailed reporting, lively and vivid writing, and a commitment to the art of storytelling whether the subject is politics, culture, travel or art. Our artfully constructed stories are based on months of reporting and research, and are crafted into dramatic narratives combining the excitement and immediacy of great literature with real plots and real consequences.

Drawing on the tradition established by magazines like The New Yorker and Granta, The Caravan fills a niche in the Indian media that has remained vacant for far too long. It caters to a new kind of reader, one who seeks a magazine of exceptional quality, style and substance.

The country’s first and only publication devoted to narrative journalism, The Caravan’s stories present a unique mix of detailed reporting, lively and vivid writing, and a commitment to the art of storytelling whether the subject is politics, culture, travel or art. Our artfully constructed stories are based on months of reporting and research, and are crafted into dramatic narratives combining the excitement and immediacy of great literature with real plots and real consequences.

Drawing on the tradition established by magazines like The New Yorker and Granta, The Caravan fills a niche in the Indian media that has remained vacant for far too long. It caters to a new kind of reader, one who seeks a magazine of exceptional quality, style and substance.

The country’s first and only publication devoted to narrative journalism, The Caravan’s stories present a unique mix of detailed reporting, lively and vivid writing, and a commitment to the art of storytelling whether the subject is politics, culture, travel or art. Our artfully constructed stories are based on months of reporting and research, and are crafted into dramatic narratives combining the excitement and immediacy of great literature with real plots and real consequences.
Drawing on the tradition established by magazines like The New Yorker and Granta, The Caravan fills a niche in the Indian media that has remained vacant for far too long. It caters to a new kind of reader, one who seeks a magazine of exceptional quality, style and substance.

Over the last several decades, Asian News International, owned by the Prakash family, has enjoyed an unchallenged monopoly as India’s biggest television news agency. Entrenched in the power structures of Lutyens’ Delhi, ANI’s relationship with virtually every ruling party has been mutually beneficial. Successive governments have helped ANI maintain its dominance, and also been a direct source of revenue as clients of propaganda. Given the Modi government’s ideological unity with ANI’s owners, the agency will be a formidable tool in the hands of the ruling party in its bid to come back to power.
Also in this issue:
Urvashi Sarkar on the aims of the Observer Research Foundation; Christophe Jaffrelot on Muslim exclusion in Modi’s de facto Hindu Rashtra; Jyotsna Singh on what ails Modi’s flagship health scheme; Nikhil Menon on India’s history of elephant diplomacy; Amel Ghani on how a wave of targeted attacks has isolated Quetta’s Hazara community; Mantra Mukim on Bimal Krishna Matilal’s work on Indian epics; Zishaan A Latif on the transformation of a river island.


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Based on months of reporting and research, The Caravan stories are crafted into dramatic narratives that employ pace, color, character and style to keep the reader hooked from start to finish, combining the excitement and immediacy of great fiction with real characters, real plots and real consequences.

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The Caravan - October 2013

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