Artists & Illustrators - February 2020
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- In this issue
Magazine Description
In this issue
Art History Early masterpieces by the young Rembrandt van Rijn. Self-Portraits Art Academy's Roxana Halls encourages a costumed approach. Gouache Nine reasons why you should try using this overlooked medium.
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Painting POETRY
Ignoring textbooks and making up her own rules has garnered landscape painter MARY ANNE AYTOUNELLIS many fans, including Prince Charles, as REBECCA BRADBURY finds out Poetry
PREPARATORY STUDIES
Tempted to just get started on a final painting straight away? ROB WAREING shows you why completing a single-session study first can enhance the finished work
The Working Artist
Our columnist LAURA BOSWELL was inspired by an ex-student, who reminded her that the journey is more important than the destination
WOODCUT Prints
Our regular columnist (and leading printmaker) LAURA BOSWELL guides you through all the tools and techniques required to make a simple two-block woodcut print
WASSILY KANDINSKY
The Russian painter was one of the first true abstract artists, using music as a basis for his instinctive paintings. STEVE PILL explores his colourful responses to the world
Rita ISSAC
The multi-media artist on her new book, journaling and keeping motivated. Interview: REBECCA BRADBURY
Mixing Orange
GRAHAME BOOTH ’s new series focuses in turn on the secondary colours. Starting with orange, he will show you how to mix perfect hues for every occasion
ELISE ANSEL
By striking up a conversation with the Old Mistresses of art history, this American oil painter has brought their stories to life via her fresh and abstracted style
2. STILL LIFE painting
Continuing his new series on composing pictures, Pennsylvania Academy of the Fine Arts’ chair of painting AL GURY talks us through humble still life traditions
1 REMBRANDT
Heatherley School of Fine Art tutor and artist LAURA SMITH looks to the work of the Old Masters and sets a series of exercises that will improve your composition skills
