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In this issue

Stephen Shore, whose latest series, Details, has just had its UK debut, speaks with Fi Churchman about the disciplined restlessness to his pursuit of creating photographs and why the touchscreen Hasselblad he’s using now is the first genuine twenty-first-century camera. Penny Slinger’s explorations of female sexuality and mysticism, primarily through film and photocollage featuring herself, were at the heart of the cultural ferment of late-1960s London; here J. J. Charlesworth revisits the artist’s oeuvre, particularly its performative aspects. Meanwhile Mark Rappolt looks at the stories – fictional, conceptual – driving Ryan Gander’s recent projects. Plus the full complement of previews, exhibition and book reviews, artist profiles, artist commissions and opinions from the magazines’ regular columnists.

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