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Featured Isuma At the Canadian Pavilion, the Inuit collective disputes the ideas of nationhood and representation on which the Venice Biennale was founded. By Mark Rappolt Christoph Schlingensief Carl Hegemann recalls his days working with the late German provocateur and wonders whether his unapologetic brand of art-as-activism would still exist today Franz West With the late Austrian artist’s retrospective landing at Tate Modern, London, Rosanna Mclaughlin considers what made his sculpture so appealing to the public Merchants of Venice: The Venice Biennale through the archives by Bernard Denvir, J.P. Hodin, Michael Shepherd, Charles Spencer Looking at Pictures with William Eggleston Fi Churchman meets the pioneering American photographer

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