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In this issue

In a month in which the 14th edition of Documenta docks at Athens, an arrangement that seems designed to highlight two poles of the continent’s economic, social and political destiny, ArtReview has been wondering how art contributes to our understanding of and engagement with these kinds of ‘real’ issues. After all, the representation of a problem is always one step removed from the problem itself. So how does art become more than simply an intellectual narcotic that does nothing other than ease consciences in the face of global suffering? This issue is in part dedicated to investigations into how art interacts with real rather than imagined life.

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