Trump claims to despise the journalists who cover him, calling them "the enemy of the American people," suing them, and threatening unspecified reprisals for their transgressions against him. But his narcissism craves their constant attention, and as president he gave reporters far more access than his successor has, taking their late-night phone calls, then framing their cover stories in gold. Media organizations, including this one, have warned for years that Trump is a danger to the democracy that makes journalism possible, and that a vigorous press is essential to a free society. At the same time, the media became dependent on his vile words and scandalous deeds for their financial health, squeezing droplets of news from his every tweet even if the public had nothing to learn.
Leslie Moonves, the disgraced former TVnetwork chair, said of Trump's first candidacy: "It may not be good for America, but it's damn good for CBS." As soon as Trump left office, readers and viewers disappeared-within a month, The Washington Post lost a quarter of its unique visitors, and CNN lost 45 percent of its prime-time audience. From exile, Trump summoned one reporter after another to Mar-a-Lago and gave interviews for books that both sides knew would attack his presidency and become best sellers. When he returned as a presidential candidate and criminal defendant, cable-news-network ratings climbed again.
It's impossible not to feel that Trump has gotten the better of this codependent clench. His endless stream of grievance and invective eroded his supporters' trust in the news media to the point where 58 percent of Republicans now say they have none. If half the country believes most of what the mainstream media report and the other half thinks it's mostly lies, this isn't a partial win for journalists, whose purpose isn't to strengthen the opposition but to give the public information it needs to exercise democratic power.
Esta historia es de la edición January - February 2024 de The Atlantic.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición January - February 2024 de The Atlantic.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.
Ya eres suscriptor? Conectar
After the Miracle
Cystic fibrosis once guaranteed an early deathbut a medical breakthrough has given many patients a chance to live decades longer than expected. What do they do now?
WILLIAM WHITWORTH 1937-2024
WILLIAM WHITWORTH, the editor of The Atlantic from 1980 to 1999, had a soft voice and an Arkansas accent that decades of living in New York and New England never much eroded.
Christine Blasey Ford Testifies Again
Her new memoir doubles as a modern-day horror story.
Is Theo Von the Next Joe Rogan?
Or is he something else entirely?
Orwell's Escape
Why the author repaired to the remote Isle of Jura to write his masterpiece, 1984
What's So Bad About Asking Where Humans Came From?
Human origin stories have often been used for nefarious purposes. That doesn't mean they are worthless.
Miranda's Last Gift
When our daughter died suddenly, she left us with grief, memories and Ringo.
BEFORE FACEBOOK, THERE WAS Black Planet
An alternative history of the social web
CLASH OF THE PATRIARCHS
A hard-line Russian bishop backed by the political might of the Kremlin could split the Orthodox Church in two.
THE MAN WHO DIED FOR THE LIBERAL ARTS
Chugging through Pacific waters in February 1942, the USS Crescent City was ferrying construction equipment and Navy personnel to Pearl Harbor, dispatched there to assist in repairing the severely damaged naval base after the Japanese attack.