Hong Kong digital artist Victor Wong Wang-tat, who practises traditional ink art as a hobby, was proud to show his work to his fellow practitioners at one of Hong Kong Ink Painting Society's gatherings. A sturdy mountain, made up of steady, and powerful brushstrokes, sits in the centre of the rice paper; the changing black and grey gradation of the ink lines standing in stark contrast to the blank white space to create an ethereal landscape as if clouds are floating above the valleys. Wong recalls the Ink Painting Society chairman's immediate puzzlement: "This painting shows the level of experience and skill that a senior painter has, but strangely the artist seems to paint far more steadily than most of us older artists are capable of now."
The older man was astounded to learn that the painting had been created by AI Gemini, Hong Kong's first AI robotic arm to specialise in ink art, designed by Wong. This revelation led fellow Ink Painting Society members to question which ink art masters' works Wong had fed to AI Gemini's machine learning system, and whether the resulting piece should be considered art.
Wong isn't the only artist facing questions from AI sceptics. Since the considerable rise in the adoption of AI around the world in the last five years, apps such as Tensorflow and Stable Diffusion-open-source AI platforms that collect artworks and images that exist online to create a database from which new works can be generated have accumulated a solid fanbase who want to create sophisticated works in the style of famous artists with a few prompts and one click of a button. But such creations can lead to copyright infringement-art can be uploaded without the artist's permission or knowledge-an inundation of disinformation, and the possibility that artists will be left jobless.
This story is from the July 2023 edition of Tatler Hong Kong.
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This story is from the July 2023 edition of Tatler Hong Kong.
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