Stand Tall
Vogue US|Winter 2024
Modern life doesn't exactly encourage an upright perspective. Good posture, however, has the ability to change not just our stance but our entire outlook. Thessaly La Force takes note. 
Jack Davison.
Stand Tall

IF YOUTH IS WASTED ON the young, then height is wasted on the young and tall. I can recall with total clarity my disappointment in my sixth-grade class portrait. I had experienced a growth spurt that summer. I had always been tall, but now the fact of my height was unavoidable—a topic among relatives, teachers, even strangers at the grocery store. I had picked out my outfit that day with care. But the school’s photographer assigned me to the back row, next to the tallest boy in the class—such cruel fate! From then on, I had only contempt for my height.

My solution was to hunch. To shave even just a few inches from my stature, I’d slink to my classes with my shoulders rounded forward and my head down. Later, I spoke to boys with my body awkwardly tilted against a wall or, preferably, sitting down. This was the late ’90s in Northern California. There were no deportment classes, no one telling me to stand, as my mother’s generation did, with my shoulders back and chest out. If anything, the pervasive look and feel of grunge and the laid-back cool of California’s surf and skate culture only further reinforced my decision to slouch. There was a rebellion to slouching, an insouciance to bad posture that felt in tune with the bleached-out, tomboyish femininity of the world around me.

Eventually, I grew out of it. I discovered that my height was something of an asset. I started a career, got married, had kids. Motherhood finally allowed me to feel a purpose with my physical self that wasn’t tied to vanity. The only problem was that I had completely obliterated my posture. Years of rounded shoulders had taken its toll. Two pregnancies had stretched out my core. The decades spent working in front of a computer hadn’t helped either.

This story is from the Winter 2024 edition of Vogue US.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the Winter 2024 edition of Vogue US.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM VOGUE USView All
A Mother's Story
Vogue US

A Mother's Story

In a Broadway revival of Amy Herzog's play Mary Jane, Rachel McAdams finds uncommon grace in an account of parental struggle and pain.

time-read
8 mins  |
May 2024
Old Souls
Vogue US

Old Souls

A new production of Uncle Vanya brings the eternal wisdom of Anton Chekhov to the stage.

time-read
7 mins  |
May 2024
ELIZABETH DEBICKI
Vogue US

ELIZABETH DEBICKI

The actor who brought Princess Diana to life—and won a passel of awards in the process—is ready to transform anew.

time-read
5 mins  |
May 2024
If the Shoe Doesn't Fit
Vogue US

If the Shoe Doesn't Fit

Forever looking for a 42 ina world of 39s.

time-read
3 mins  |
May 2024
Stuck on You
Vogue US

Stuck on You

Once applied primarily to adolescent totems, stickers for wellness!are growing up.

time-read
4 mins  |
May 2024
Partial to It
Vogue US

Partial to It

Gen Zers have deemed side parts hopelessly outdated, but new defenders see the appeal.

time-read
2 mins  |
May 2024
With Nail and I
Vogue US

With Nail and I

Inspired by recent runways, Lena Dunham tries on inch-long talons and mere tip-skimming lengths, and wonders: What do our nails say about all we’re asked to do?

time-read
8 mins  |
May 2024
Not Black and White
Vogue US

Not Black and White

At just 27, Anna Park has made a major impression on the art world. Dodie Kazanjian visits her studio.

time-read
9 mins  |
May 2024
Prep School
Vogue US

Prep School

Back in the '90s, Plum Sykes arrived in New York from London and promptly found herself in the thrall of preppy chic. Now, she writes, it's all coming back.

time-read
5 mins  |
May 2024
States of WONDER
Vogue US

States of WONDER

John Galliano's recent Maison Margiela triumph was an haute couture tour de force. Yet, as Hamish Bowles recalls, it's but the latest in the designer's long history of era-defining shows.

time-read
5 mins  |
May 2024