It's unlikely that the hype surrounding a young designer's second fashion week outing created such anticipation among his peers and fashion media that they stalked his stall for a glimpse of the collection. I, for one, did. While I didn't get to see the collection, my introduction to Amit Aggarwal was via his stall space at Pragati Maidan during fashion week, in 2009. It was quite unlike anything I'd seen. There were no garments in view, but amorphous forms in off-white had taken over the space in fabrics and materials I couldn't tell, shapes I couldn't decipher - but one thing was clear, there was an artist at work here.
A decade and more after following his work, tabling it, and celebrating it, I'm still clear that Amit's strength lies in his approach to fashion via the lens of an artist. While we've figured that he marries form with function and wraps the human body in ingenious fabrics that he conjures up every season, what is lesser known is that the basic idea to use and fuse these fabrics first stemmed from necessity.
Long before sustainability became a buzzword, Amit sought out fabric scraps and waste to sustain a business, his business. But, unfortunately, he didn't have the deep pockets to source luxurious fabrics from Italy and China to start his career. In a sense, his decision to use materials that weren't conventionally usable marked the first milestone in a career that has foreshadowed the creation of his signature style.
"Amit's designs have a clear connection to his beginnings, so with each collection, you can trace the origins back to the same unique mind," says fashion consultant and writer Varun Rana, who has known Amit from their days together at NIFT. "He remains steadfastly true to what his work was even in his days back at NIFT. His essence remains the same, yet it takes on newer forms over time, much like his designs".
A NEW LANGUAGE
This story is from the August 2022 edition of Grazia India.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2022 edition of Grazia India.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
STRAIGHT-TALKING
Designer Urvashi Kaur writes about her commitment to a more inclusive and sustainable future of fashion built around her community
FANTASY & THE FAMILIAR
Author Leigh Bardugo on creating a believable world and writing fiction inspired by history
BELLE OF THE BALL
As the popular show is ready to release its third season, costume designer John Glaser and make-up artist Erika Okvist share their insights on bringing the characters of Bridgerton fo ife
IN TREATMENT
What mental health experts want you to know about therapy beyond CBT and, well, Instagram
MEDIEVAL TREASURES
Jaipur's new crown jewel, the Museum Of Minakari Heritage, is a tight little promise of pleasure
HEARD IT THROUGH THE GRAPEVINE
Key womenswear trends from the 1960s are doing the rounds on our feeds, and have even made it to our summer mood boards. We unpack the opposing forces shaping this redux
YOUR PERSONAL OASIS
If a well-deserved break is what you need, then this property is perfect for you
IN HER ELEMENT
If Elisabeth Moss didn’t already ho. an extensive filmography, he has now added a spy show into the mix as well. As Moss delves into the realm of action with FX’s The Veil, the actor reveals how she got under the skin of her character
EMBROIDERED TO PERFECTION
Ancient Indian myths and their modern reinterpretations reign supreme at the Venice Biennale this time
A SWEET SLICE OF GLAM
It’s the season of beaches, sunning, and summer plans and this resort ensures that your TLC and your parties are all under one roof