The Reverend Purlie Victorious Judson (Leslie Odom, Jr.), the hero of Ossie Davis's 1961 comedy, "Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch"-revived on Broadway at the Music Box Theatre, directed by Kenny Leon-is, above all else, a hustler. You might know somebody like this: He blusters onto the stage of your life, pouring out plans before he's properly introduced himself, energized toward some vista that only he can see. He puts an arm over your shoulder and tries to convince you that you're on your way there together, as partners, but in his mind's eye, you can tell, he's up in the pulpit and you're down in the seats. Half of what he says sounds cockamamie, but something about him-his personal history, perhaps, or a kind of animal endurance in his bearing-persuades you that, somehow, he'll get what he wants.
In the case of this show, most of what Purlie wants is a fair shake for Black people. He's an itinerant minister who has come back to the postbellum Georgia plantation where he grew up. He wants to rally the people there-who now work as sharecroppers for Ol' Cap'n Cotchipee (the intensely funny Jay O. Sanders) to take back their local church, Big Bethel. He cooks up a scheme that will, with one stroke, get them the deed to the church and free his family from their impossible debts to Ol' Cap'n.
Diese Geschichte stammt aus der October 09, 2023-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der October 09, 2023-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
INSIDE JOB-"Hit Man"
Years before Hannah Arendt coined, in the pages of this magazine, the phrase \"the banality of evil,\" popular films and fiction were embodying that idea in the character of the hit man. In classic crime movies such as \"This Gun for Hire\" (1942) and \"Murder by Contract\" (1958), hit men figure much as Nazis do in political movies, as symbols of abstract evil.
WHATEVER YOU SAY
Rereading Jenny Holzer, at the Guggenheim.
SUBCONSCIOUSLY YOURS
Does every generation get the Freud it deserves?
BY A WHISKER
Louis Wain and the reinvention of the cat.
Beyond Imagining
Bessie, Lotte, Ruth, Farah, and Bridget, who had been lunching together for half a century, joined in later years by Ilka, Hope, and, occasionally, Lucinella, had agreed without the need for discussion that they were not going to pass, pass away, and under no circumstances on.
STATES OF PLAY
Can advocates use state supreme courts to preserve-and perhaps expand-constitutional rights?
THE LONG RIDE
The surf legend Jock Sutherland's unlikely life.
ARE WE DOOMED?
A course at the University of Chicago thinks it through.
GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME
Guys, want to play this new board game? It’s called Life. No, it’s not “one of God’s impossible-to-understand games that take three hours to learn.” It’ll be fun, I promise!
RED LINE
With the election approaching, the U.S. and Mexico wrangle over border policy.
