The program includes two classics of nineteen-forties Americana: “Appalachian Spring,” Graham’s modernist masterpiece with its sound-of-America Aaron Copland score, and a revival of “Rodeo,” Agnes de Mille’s more conventional Western-themed breakthrough, with its Copland score rearranged for a bluegrass band. These are answered with a première by Jamar Roberts, formerly with Alvin Ailey American Dance Theatre and now freelance. His “We the People” is a protest dance, alternating between struggles in silence and frontal assaults, with fists raised, propelled by the banjo and fiddle music of Rhiannon Giddens, who is known for reclaiming the legacy of Black string bands. It includes much of the America that the other works left out.—Brian Seibert (New York City Center; April 17-20.)
ABOUT TOWN
This story is from the April 22 - 29, 2024 (Double Issue) edition of The New Yorker.
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This story is from the April 22 - 29, 2024 (Double Issue) edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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