Ever since the early days of jazz and rock’n’roll, the musical connection between drums and bass has been core. Tastes, styles and interpretations come and go, but finding the perfect bass sound, that fits against the drums in your mix, is often viewed as something of a holy grail.
Pacifying the multitude of platforms, where your mix has to translate on everything, from earbuds to a full PA system, is no mean feat. Too much bottom end, and it might sound great on lightweight headphones, but the moment you step into the domain of any reasonable hi-fi system, you could have a problem, as those low frequencies swamp your mix.
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Esta historia es de la edición September 2023 de Computer Music.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.
Ya eres suscriptor? Conectar
BLEASS Arpeggiator
Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?
Synthogy Ivory 3 German D
One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?
MODALICS BITFUZZER
Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both
RADICAL RHYTHMS
From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide
SEDIBUS
Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...
Sidechain compression
Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process
How to make a rave-style techno track
Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno
Make a filter kick bass with BazilleCM
Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound
MARIA W HORN
An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon
THE ULTIMATE GUIDE TO CREATIVE REVERB
Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient
