Jon Musgrave
Jon is a London-based platinum award winning mixer, producer, composer and club remixer with a diverse CV that spans dance, pop, rock and music for media. He's also a long term contributor to Computer Music. Jon usually handles final mixdowns, which is why we've got him to share some of his pearls of mixing wisdom here
Much of the time we try to avoid audible distortion, but there are plenty of situations where adding it in a controlled manner can be very fruitful.
But first, a quick word about definitions. From a technical perspective audio distortion is any process that brings about a change in an audio waveform. It’s a broad definition that can include compression and soft clipping as well as more obvious effects such as overdrive, fuzz and so on.
Nevertheless, when we talk about creative uses for distortion more often than not we mean a process that generates audible harmonics. This could simply be adding subtle saturation or enhancing vocals (both of which we’ll cover in individual masterclasses), but could equally be a very audible featured distortion effect.
This story is from the August 2023 edition of Computer Music.
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This story is from the August 2023 edition of Computer Music.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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