Tempting in that, in an era propelled by visibility and all things social, performance offers a fully-fledged public programme: a moment for artists and audience alike to see and be seen, to socialize and be on the socials. Tricky in that, despite how well performance often presents on Instagram and TikTok, grand museal halls are just as frequently ill-equipped – acoustically, spatially – to host the performance, let alone care for the performers.
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Open Invitation
HOSTING PERFORMANCE in institutions, particularly those that have historically presented more traditional formats, is both tempting and tricky.
Winner Takes It All
IN THE EARLY 1990S, Donald Rodney assembled a collection of more than 100 cheap sporting and academic trophies, such as those typically available in local shops, and displayed them on shelves that ran the length of the gallery wall, and in purpose-made glazed and mirrored cabinets.
Graham Little
There is no formula for beauty, no reliable unit of measure.
Marcel Dzama
Canoe Lake, in Algonquin Park, Ontario, is where the great Canadian landscape painter Tom Thomson occasionally lived and worked â and where, at the age of 39, he drowned.
Shuvinai Ashoona
Crawling with tentacled creatures, flipper-footed beasts and beaked hybrids, Shuvinai Ashoonaâs colourful pencil drawings are playful and fantastical depictions of Inuit life in the Canadian Arctic.
Regina José Galindo and Iva Lulashi
The female figure predominates in the works of Guatemalan visual and performance artist Regina José Galindo and Albanian artist Iva Lulashi.
Bettina Pousttchi
âProgressionsâ, Bettina Pousttchiâs survey at Zurichâs Haus Konstruktiv, is a striking illustration of the idea that urban space is not only the physical environment of a city â from pedestrian and surveillance structures to actual buildings â but also a projection, subject to both time-bound ideologies driving urban policy and to city dwellersâ subjective memories. Spread across three floors, the exhibition highlights the fluidity with which Pousttchi moves between industrial-scale readymades, urban architecture and photography.
Nidhal Chamekh
Taking its title from philosopher Ãdouard Glissantâs question, âWhat If Carthage Hadnât Been Destroyed?â â posed in his book of collected poems Le Sel Noir (The Black Salt, 1957) â Nidhal Chamekhâs latest exhibition, âEt si Carthageâ, is inspired by the ancient city whose ruins are a ten-minute drive from Selma Ferianiâs new gallery space in downtown Tunis.
Green Snake: Women-Centred Ecologies
When I was younger, my mother told me a story about a man who travelled to a faraway lake in China, where he met a beautiful young woman dressed in white and spent the night on her boat.
Whitney Biennial 2024
With this yearâs Whitney Biennial already having been dismissed by many critics (The New Yorker, The New York Times, Vulture) as riskless, I felt hard-pressed to agree.
