From the stage to television to the silver screen, Irrfan Khan has established himself as an actor to be reckoned with. His latest role as a homeowner has him drop his mask.
When I walk into his living room on a sultry afternoon, Irrfan Khan is attempting to move a pond.
Arguably the finest actor in current Hindi cinema, Irrfan has moved from a home on Madh Island—a quick boat-ride away from the Mumbai mainland—to a high-rise in Oshiwara, an area close to Lokhandwala, the suburban neighbourhood that houses many of his film and television colleagues. It is a literal hop from the fringes to the thick of it, akin to the actor’s career. Last year, for instance, he played romantic hero to Deepika Padukone, and then Aishwarya Rai. This month, his next release features Tom Hanks. Going from an off-centre idyll to a mainstream neighbourhood, he’s holding on to what matters most.
“It is important for me to have a water body,” Irrfan explains, passionately (and oddly) specific, pointing to something that looks like a Turkish bathtub, a square of blue stone. “It has to have its own ecosystem, survive on its own. That fascinates me. That the fishes don’t have to be given oxygen separately, that the water doesn’t have to be cleaned or changed.” It is, literally, a living room pond.
Shabnam Gupta, who designed the interiors, feels this pond—which was relocated from a corner to the middle of the living room—posed a unique challenge. “When he ideates, he enjoys the sound of water,” she says. “But this has to be an extremely controlled amount of sound, otherwise it gets on your nerves. Plus, he wants fishes and lotuses and reeds.”
INNER SANCTUM
This story is from the October 2016 edition of AD Architectural Digest India.
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This story is from the October 2016 edition of AD Architectural Digest India.
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