Nicky Romero/Cableguys Kickstart 2 €14
Computer Music|September 2022
If you want pumping sidechain effects, a dedicated plugin is a must and this one's just had a tasty update
Nicky Romero/Cableguys Kickstart 2 €14

Designed by Nicky Romero and developed in collaboration with Cableguys, Kickstart 2 (AU, VST, VST3, AAX) is the latest version of this excellent ducking effect. The plugin helps you create sidechain compression effects and is quicker and more precise than setting up a compressor. It's great for creating space for your kick drum, but is also ideal for adding movement to all manner of sounds, and is not limited to electronic music.

At the heart of this concept is a tempo synced gain curve with a choice of 16 shapes and overall ducking strength (Mix). The curves are broadly grouped by tasks, including typical sidechaining, kick trimming, sub bass sidechaining and so on, and can be modified to some degree (see Editing Curves). The processed signal waveform is visible via a background oscilloscope and this updates to reflect the current envelope settings.

The core process offers four sync lengths (1, 14,12 and 1/1), and is joined by MIDI triggering, and new for Kickstart 2, external audio sidechaining. These three modes (Sync, MIDI and Audio) are selected in the top bar. Further new features include Band split (20Hz to 5.12kHz) for frequency selective processing and also the rather handy kick view. This adds the sidechain input signal to the oscilloscope view, so you can visualise them together.

Control

هذه القصة مأخوذة من طبعة September 2022 من Computer Music.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة September 2022 من Computer Music.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.

المزيد من القصص من COMPUTER MUSIC مشاهدة الكل
BLEASS Arpeggiator
Computer Music

BLEASS Arpeggiator

Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?

time-read
3 mins  |
May 2024
Synthogy Ivory 3 German D
Computer Music

Synthogy Ivory 3 German D

One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?

time-read
3 mins  |
May 2024
MODALICS BITFUZZER
Computer Music

MODALICS BITFUZZER

Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both

time-read
1 min  |
May 2024
RADICAL RHYTHMS
Computer Music

RADICAL RHYTHMS

From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide

time-read
5 mins  |
May 2024
SEDIBUS
Computer Music

SEDIBUS

Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...

time-read
10 mins  |
May 2024
Sidechain compression
Computer Music

Sidechain compression

Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process

time-read
4 mins  |
May 2024
How to make a rave-style techno track
Computer Music

How to make a rave-style techno track

Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno

time-read
4 mins  |
May 2024
Make a filter kick bass with BazilleCM
Computer Music

Make a filter kick bass with BazilleCM

Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound

time-read
5 mins  |
May 2024
MARIA W HORN
Computer Music

MARIA W HORN

An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon

time-read
9 mins  |
May 2024
THE ULTIMATE GUIDE TO CREATIVE REVERB
Computer Music

THE ULTIMATE GUIDE TO CREATIVE REVERB

Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient

time-read
5 mins  |
May 2024